• Yunteng-VCT-680RM  Get steadier, professional-looking footage with this lightweight tripod It comes with a three-way pan tilt head .
     
  • Open up Apple ProRes and Avid DNxHD post production quality to thousands of devices (cameras, projectors, tablets, phones, game consoles, medical and industrial equipment). Take your consumer camera to a truly Pro recording device. Avoid the internal MPEG compression & go from sub 30Mbps MPEG to 220Mbps ready to edit 10-bit 422 Apple ProRes HQ. Record to standard 2.5” HDDs and SSDs. A 1TB HDD gives you 10+ hours of Apple ProRes HQ. Buy your choice of media that is affordable, reliable and readily available.  
  • Atomos Ninja 2 Video Recorder is an HDMI recorder built into an 800 x 480 resolution monitor that records up to 1080/30p/60i resolution directly from your camera’s sensor. It records to an optional HDD or SSD in using Apple’s ProRes or Avid’s DNxHD edit-ready codecs. The Ninja 2 supports 10-bit 4:2:2 color sampling for vivid images superior to most DSLR internal recording capabilities, and you can still record 8-bit video to the Ninja 2. Built-in exposure tools such as false color and zebra bars provide useful aids in exposing your footage, while the built-in focus peaking tool can alert you to out of focus shots may be difficult to see on an on-camera monitor.  
  • Record direct from the camera sensor to your choice of Apple ProRes, DNxHD/DNxHR or RAW* in 10-bit 422 quality onto affordable media options. Based on the camera’s output the Shogun can accept and record up to 4K 30p and HD 120p over HDMI or 12/6/3/1.5G SDI.  
  • The Atomos Shogun Studio 4K Monitor / Recorder combines two color-calibrated 1920 x 1200 resolution displays with 4K video recording and edit-ready codecs in a 3RU chassis with removable rack mount ears. This configuration is well suited for live event, studio, and on-set DIT work. The Shogun Studio utilizes 4K HDMI and 12G-SDI inputs to record clean output signals at resolutions up to UHD 4K (3840 x 2160) at 23.98, 24, 25, 29.97, and 30p, as well as Full HD (1920 x 1080) video up to 120 fps when used with capable cameras. The Shogun records 10-bit, 4:2:2 UHD 4K and HD video to Apple ProRes HQ, 422, or LT formats. It can also record HD video using Avid’s DNxHD format and UHD 4K video using Avid’s DNxHR. Video is recorded to single or raided 2.5″ HDD and SDDs for fast and reliable write speeds.  
  • Fitting in a 6RU design that’s only an inch thick, the Blackmagic Design 17″ SmartView HD Studio Monitor can be easily integrated into a studio or post-production setup. Through the rear inputs, SD, HD, and 3G-SDI signals can be displayed, with 1080p signals shown at a pixel-to-pixel ratio for critical sharpness evaluation. Resolution is auto-detected, so there is no need for regular menu-diving to correct the picture. Adjustments can be conveniently made by including the SmartView HD into your network for full software control.    
  • The LILLIPUT 669GL-70NP/C 7″ Non-Touch Monitor from Lilliput is an on-camera monitor offering 800 x 420 native resolution with 450 cd/m² brightness and a 500:1 contrast ratio. It features DMI, DVI, VGA, and composite video inputs. The monitor provides a 1/4″ BSW mounting thread and vertical slot mounting. Furthermore, it is powered by 12V, making it adaptable to run on batteries (adapter included). The front panel buttons can be used to control the functions of the monitor.
     
  • Lilliput 7 HDMI LCD Monitor is an on-camera monitor offering 1280 x 800 resolution with 400 nit brightness and an 800:1 contrast ratio. The monitor allows you to analyze focus, exposure, and other characteristics with False Color, Pixel-to-Pixel, and Histogram. It supports both NTSC and PAL compatible signals with HDMI, Component, and Composite inputs. This monitor also features an HDMI output, allowing you to feed the monitor and send the video signal along an HDMI infrastructure. It also features both a built-in speaker and headphone jack.  
  • Lilliput 7 SDI LCD Monotor is an on-camera monitor offering 1280 x 800 resolution with 400 nit brightness and an 800:1 contrast ratio. The monitor allows you to analyze focus, exposure, and other characteristics with False Color, Pixel-to-Pixel, and Histogram. It supports both NTSC and PAL compatible signals with HDMI, 3G-SDI, Component, and Composite inputs. This monitor also features an HDMI output, allowing you to feed the monitor and send the video signal along an HDMI infrastructure. It also features both a built-in speaker and headphone jack.  
  • The Marshall V-LCD 70HB HDMIPT Monitor is a top-quality camera monitor with superior internal components and an advanced set of focus, exposure, and sound-assist tools. The display is a high-resolution, high-contrast, high-brightness display and is polycarbonate-coated for scratch resistant protection. It’s LED backlit for additional brightness and it is equipped with IPS technology allowing an enhanced viewing angle from farther and farther away. The operating system is icon-driven.  
  • Stunning OLED for your DSLR or Cinema Camera without all the bulk

    The AC7-OLED can give your client, director, or producer some piece of mind while providing the camera operator some breathing room. This 7-inch OLED display works great as a client monitor because it’s lightweight, durable, and provides a beautiful image out of the box.

    Whether it’s on a set of handles or mounted on-camera, the form factor of the AC7-OLED makes adding it to a rig easy. It’s slim design and flexible power allows it to fit the work flow of nearly any production.

     
  • The Mini Converter HDMI to SDI 4K from Blackmagic Design allows you to convert HDMI to SD, HD, 3G, or 6G-SDI in resolutions up to Ultra HD 4K (3840 x 2160) and DCI 4K (4096 x 2160). This is useful for connecting consumer devices that output HDMI signals with professional SDI video equipment. With a compact form factor and easy-to-use controls, the Mini Converter is ideal for a variety of broadcast, post production, and professional AV applications.
  • DJI INSPIRE 1 IS ADVANCED, READY-TO-FLY DESIGN

    Imagine holding the future in your hands. Designed to be powerful while lightweight, flexible while providing the stability you need, the Inspire 1 is DJI’s most advanced complete package. All of the latest aerial technology is packed into one simple, ready-to-fly system, putting you in the sky within minutes.
     
    • Fully stabilized 4K, 12MP camera optimized for ground use
    • Slow motion and audio recording
    • Tripod-free long exposures
    • Remote camera control
    • Secure grip
    • 6-hour standby time
    • 1 hour of video shooting
     
  • The Phantom 2 Quadcopter  is a bundle from DJI allowing you to capture stabilized aerial video and photos with a GoPro HERO4 action camera (GoPro available separately). This version of the Phantom 2 – v2.0 – features more efficient motors, ESCs, and props than the predecessor for extended flying time. Additionally, a redesigned transmitter (handheld radio controller) now features an integrated gimbal control dial and a rechargeable battery.  
  • DJI Ronin M Developed for the filmmaking professional, the DJI Ronin marks a generational leap in camera stabilization technology. Its custom sensors, powerful motors and advanced algorithms put world-class precision in your hands.  
  • FREEDOM TO MOVE

    A slip ring allows the Ronin-MX to rotate 360° continuously when mounted to aircraft or vehicles, opening up more creative options. This is further enhanced by an increase in tilt axis range from 90° straight down and beyond to 135°. Popular features of the Ronin series such as the three modes of operation and SmoothTrack™ are also present, giving film makers a range of creative angles and movements.

    3 OPERATION MODES

    3 different modes of operation allow the Ronin to be used in different scenarios, all of which can be entered without changing settings on the Ronin Assistant app or a 2nd operator remote. SmoothTrack functionality remains in all three modes.

    1  UPRIGHT MODE

    Flip the gimbal over to bring the camera closer to eye level for a higher perspective without straining to lift it. Use this mode when sticking the Ronin out of a car’s sunroof or when trying to shoot over a crowd of people.

    2 UNDERSLUNG MODE

    The default gimbal operation is the Underslung mode. The camera can be comfortably held low to the ground, at chest level or anywhere in between. This mode is also used when the Ronin is suspended from a camera jib or crane.

    3 BRIEFCASE MODE

    When a slimmer gimbal profile is needed, i.e. when moving through doorways or narrow paths, Briefcase mode is ideal. It allows the gimbal to be held to the side and close to the legs, much like a briefcase.

     
  • The Genie is a simple, portable solution for motion control Time-lapse + Real-time video. Designed to be part of your regular camera kit, with no external wires, batteries or controllers there’s no need to ever go without the option of motion control again.

    SIMPLE. PORTABLE. GENIE.

    The key to the Genie lies in its compact size, easy-to-use menu and extreme versatility. Rather than limiting yourself to a fixed length rail system or slider, simply attach the Genie to your existing professional gear or DIY equipment for smooth Motion Control Time-lapse + Real-time video control. For all you need to know about the Genie, watch the overview above!
  • The 5-in-1 Collapsible Reflector Disc is versatile in the field and in the studio, providing shadow-lightening detail in your subject using available, or studio lighting. It starts out as a translucent white disc — perfect for softening direct sun, or lights without diffusion. Use the removable, reversible zippered slipcover to reflect light into shadow areas of your subject. Your choice of color — silver, gold, white, silver/gold mix — will be determined by the lighting conditions, and your personal preference.  
  • The AF-S DX NIKKOR 18-55mm f/3.5-5.6G from Nikon is a general-purpose DX format zoom lens featuring a retractable barrel for a compact, lightweight design. The lens has a zoom range of 18-55mm, equivalent to 27-82.5mm in the 35mm format, which makes it useful in a wide variety of shooting conditions. The retractable design makes it easier to store and carry than standard lenses.  
  • Godox AK-R1

    200.00
    • Accessories Attach Magnetically
    • 1 x Diffuser Dome
    • 3 x Warming Filters, 1 x Filter Holder
    • 1 x Green Filter, 1 x Honeycomb Grid
  • Compact and lightweight-an outstanding walk-around lens-Canon’s EF 50mm f/1.8 STM is a great entry into the world of EOS prime lenses. With an 80mm effective focal-length on APS-C cameras, 50mm on full-frame cameras.it’s an excellent prime lens for portraits, action, even nighttime photography.  
  • Nikon calls this the Nikon AF Nikkor 28-80mm f/3.5-5.6D 8 elements in 8 groups. Spherical, multi-coated. 1.3 feet (0.4m) at all focal lengths; excellent and much more convenient than more expensive lenses.  
  • Nikon AF-S VR Zoom-NIKKOR 55-200mm f/4-5.6G Lens is a versatile and ultra-compact telephoto zoom lens that offers a 3.6x zoom range, ideal for portraiture, sports or wildlife photography. Its equivalent focal length in 35mm terms, when used on a digital camera, is 82.5-300mm. It is the ideal companion to the DX 18-55mm f/3.5-5.6G ED standard zoom lens.  
  • The Hoya HMC UV(c) 58mm includes a UV (C) HMC filter, a circular polarizer filter, and a 3-stop neutral density filter in a convenient filter pouch. This kit provides everything necessary to get started with filtration for your digital camera.  
  • The Hoya Pro 1 Digital UV 77mm Filter is a wise initial investment. It helps protect your valuable investment from dust, moisture and scratches, which can lead to costly repairs.  
  • he Tiffen 72mm UV Filter  is a general use, clear filter that helps to absorb ultraviolet light and reduce the bluish cast of daylight. This filter is especially useful when photographing at high altitudes or around bodies of water. No additional coloration or contrast is provided, allowing you to pair this filter with others.  
  • Tiffen Variable ND 77mm filter is a unique, versatile and flexible tool, affording you the convenience of using several Neutral Density filters all in one.  Primarily used as a photographic tool for controlling depth of field and exposure, the Variable ND is being sought in the video market as well because it is fast, easy to use, small, lightweight, and does not require additional accessories such as a matte box.  
  • Used in small tv studios , video filming , tv commercials and outdoor location , alumina gravity die cast housing , cylindrical construction . the spot and flood achieved by moving the lamp in relation to the stationary reflectors .  
    • With an all-metal body, the VL-1000 dissipates heat easily and quickly thereby allowing uninterrupted operation for hours.
    • The ‘slim-body’ of the video light allows easy storage. It can easily be mounted onto the hot-shoe or onto the handle of a video camera by using a mounting bracket.
    • VL-1000 is provided with a robust polyamide handle that fits easily into users hand.A 1/4 inch thread at the bottom of the handle enables the video light to be mounted onto a suitable light stand or a camera tripod.
    • VL-1000 provides light output of about 3800 Lux, with a 1000 Watt halogen tube (at 2 meter distance) .
     
  • Photo Pro Sungun This VideoLite is lightweight but has a heavy duty body for years of service. The direct shoe mounting makes it convenient to use. With the bright and wide reflector and aerodynamic design, you have both better coverage and better control, allowing you to snap the perfect picture. With the two meter long cable, you have plenty of room to maneuver.  
  • Elinchrom Rotolux 100*100 soft box Good for head and shoulder portraits, products or for use in smaller spaces. The catchlight can be similar to windows. This 100 by 100 cm softbox is a classic.  
  • Rotalux Strip softboxes are great for product photography, especially bottles and other round reflectives items. They can also be used for ¾ length portraits and also widely used to light backgrounds where the length helps avoid fall-off from top to bottom. The easy mounting Rotalux system is probably the most widely copied of all Softbox systems. However, it is easier to copy a design than a quality and they remain the best units in their class.
  • Very popular among beauty and fashion photographers, as they prefer the round catchlight given by this softbox.

    You can make yourself a great folding beauty dish just by removing the front and inner diffusers and adding one of the optional deflectors.

     
  • Sale!

    Seniheiser HD280

    250.00
    The HD 280 Pro is Sennheiser’s most significant closed, around-the-ear headphone to be introduced in years. Designed to exceed the demands of the professional environment, the HD 280 Pro boasts extremely robust construction combined with the sound quality, modular design and aggressive noise isolation the necessary in the field. The unique collapsible design, combined with swiveling ear cups, offers maximum flexibility in any application  
    • Aluminum Construction
    • Load Capacity: 17.64 lb
    • Working Height: 5.3"
    • Weight: 1.54 lb
    • 360° Panning
    • Head Tilt: +/-90°
    • Tension Control
    • Separate Panning Lock
    • Bubble Level
  • Audio and Sounds ( Headphones )
    • Model Name : HD 180
    • Color : Black
    • Headphone Type : On the Ear
    • Inline Remote : No
  • Canon EF-S 18-135mm f-3.5-5.6 IS USM An all-around lens ideal for creative photography and movies, Canon’s EF-S 18-135mm f/3.5-5.6 IS USM adds cutting-edge technology to an extremely flexible zoom range. Delivering remarkable performance for everyday capture, it’s equipped with Canon’s new NANO USM technology, featuring high-speed and near-silent AF. What’s more, it’s also compatible with Canon’s new Power Zoom Adapter PZ-E1 for more natural zooming during movie capture. For landscapes, portraits, sports videos and everything in between, the EF-S 18-135mm f/3.5-5.6 IS USM provides great versatility with its magnificent optics, comprehensive zoom range and premium design. It’s an impressive complement to the EOS 80D camera, or any EOS camera with an APS-C size sensor.  
  • The EF-S 18-135mm f/3.5-5.6 IS STM Lens from Canon is a wide angle zoom lens with an 18-135mm focal range that is equivalent to 29-216mm in the 35mm format. This wide set of focal lengths offers flexibility in shooting everything from expansive landscapes and cramped interiors to group shots, portraits and distant subjects. Optical Image Stabilization reduces the blurred effect of camera shake up to 4 stops and the new Dynamic Image Stabilization improves the look of video while tracking moving subjects or walking with your camera  
  • Nikon AF-P NIKKOR 70-300mm f/4.5-6.3G VR Lens  from Nikon. Designed for DX-format DSLRs, this telephoto zoom offers users an impressive equivalent focal length range of 105-450mm. Using an extra-low dispersion element and the Super Integrated Coating, users will be able to capture crisp, clean images with minimal flare and ghosting. Also, this model offers Nikon’s Vibration Reduction image stabilization that can compensate for about 4 stops of shutter speed, something that is especially useful at longer focal lengths. The AF-P series of lenses uses a special pulse motor AF system which uses stepping motors for smooth, silent focusing during both stills and video shooting. This series removes switches from the lens barrel to avoid accidentally changing settings, allowing users to change settings in their camera’s menu. Additionally, it utilizes a rounded 7-blade diaphragm for smooth bokeh.  
Go to Top