- Get gimbal-like stabilization – without the gimbal, hero7 black predicts your movements and corrects for camera shake to deliver insanely smooth footage ; Audio Features: 3.5mm Audio Mic Input With Pro 3.5 Mic Adapter (sold separately) | RAW Audio (.wav format) | Advanced Wind Noise Reduction With 3-Mic Processing | Stereo Audio ; Connected Features: Wi-Fi + Bluetooth | GPS Enabled | Connects to GoPro App | Auto Offload to Phone | Auto Upload to the Cloud With GoPro Plus Subscription | Smart Remote Compatible | HDMI Video Out | USB-C Port
- Rugged + waterproof share experiences you can’t capture with your phone hero7 black is rugged, waterproof without a housing to 10 m and up for any adventure
- Face, smile + scene detection hero7 black knows when you face the camera, smile and more, the gopro app uses those details to handpick your best shots and create amazing videos
- 4k60 video + 12 MP photos hero7 black shoots stunning 4k60 video and 12 mp photos that are as amazing as the moments themselves
- Share right to your instagram story add to your story straight from the gopro app – and share all those wet, sandy or snowy adventures you just wouldn’t capture with your phone
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- E-Mount Lens/Full-Frame Format
- Aperture Range: f/1.4 to f/16
- One AA Element & One Aspherical Element
- One Extra-Low Dispersion Element
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- E-Mount Lens/Full-Frame Format
- Aperture Range: f/1.4 to f/16
- One XA Element and Three ED Elements
- Nano AR Coating
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- E-Mount Lens/Full-Frame Format
- Aperture Range: f/1.4 to 16
- One AA & Three Aspherical Elements
- Zeiss T* Anti-Reflective Coating
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CANON EOS 6D MARK II
- Megapixels : 26.2
- Total Pixels : 27.1
- Sensor Size : 35.9 x 24.0mm
- Pixel Dimensions : 6240 x 4160
- Pixel Size : 5.75µm
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- 20MP Dual-Pixel AF CMOS Sensor.
- 10 fps continuous shooting with autofocus.
- 65 all cross-type autofocus sensor.
- 150,000 RGB + IR pixel metering sensor.
- Dual Digic 6 processors.
- Enhanced environmental sealing.
- Compact Flash (UDMA) and SD (UHS-I) slots.
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Improving upon one of the most celebrated lenses in the Canon EF line is no easy feat, but Canon has done just that. The all-new EF 70-200mm f/2.8L IS II USM increases the speed, performance and optical quality of the EF 70-200 f/2.8L IS USM while maintaining all of the characteristics that have made it a legend for professionals and advanced amateurs alike.
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Meeting the ever-increasing demands on image quality that digital photography brings, the redesigned EF 24-70mm f/2.8L II USM is the latest update to the acclaimed L-Series of EF optics, re-establishing a new standard for superb optics, high-end durable construction, and performance in professional zoom lenses.
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- Screen Size : 21.5-inch
- Display Type : LED
- Resolution (pixels) : 1920 x 1080
- HDMI input : Up to 1080/60P
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- Lens type : Prime lens
- Focal length : 135 mm
- Image stab. : No
- Lens mount : Canon EF
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Duclos 11-16 Wide angle Lens The Duclos 11-16mm is an extremely versatile lens. While it’s wide-angle nature may be unique, it’s right at home on a variety of productions including ariel, underwater, landscape, action sports, and many more environments. The original 11-16mm cinema rehousing, the Duclos 11-16mm provides an operator friendly, robust cinema housing with 32-pitch zoom, focus, and iris gears. The aluminum body features an 80mm front ring with a 77mm filter thread complimented by a stainless steel Arri PL mount.
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The widest tilt-shift lens in Canon’s lineup, the new TS-E 17mm f/4L lens expands shooting possibilities exponentially on EOS Digital cameras. Designed with UD glass to minimize and compensate for chromatic aberrations, with a specially coated aspherical element for the highest possible glare-free image quality, this tilt-shift lens offers a diagonal angle of view of 104° on a full-frame SLR camera.
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Canon EF 70-200mm f-2.8L USM Incorporating Canon’s second generation Image Stabilization technology, this telephoto zoom responds in as little as 0.5 seconds, while providing up to three stops of correction for camera shake. Its AF system has been refined for better response time and tracking speed.
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- Lens Mount Sony E
- Camera Format Full-Frame (1x Crop Factor)
- Sensor Resolution Actual: 12.4 Megapixel
- Effective: 12.2 Megapixel
- Maximum Resolution 4240 x 2832
- Aspect Ratio 3:2, 4:3
- Sensor Type CMOS
- Sensor Size 35.8 x 23.9 mm
- Image File Format JPEG, Raw
- Bit Depth 14-Bit
- Image Stabilization None
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- 20.2MP full frame CMOS sensor.
- DIGIC 5+ image processor.
- ISO 100-25600 standard, 50-102800 expanded.
- 4.5 fps continuous shooting.
- 'Silent' shutter mode.
- 1080p30 video recording, stereo sound via external mic.
- 11 point AF system, center point cross-type and sensitive to -3 EV.
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Canon EF 14mm f/2.8L USM
- Lens type : Prime lens
- Focal length : 14 mm
- Image stab : No
- Lens mount : Canon EF
- Max aperture : F2.8
- Min aperture : F22
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The EOS 80D boasts a viewfinder coverage of 100%. The newly-developed 45 point, all cross-type AF sensor and continuous shooting speed of 7.0fps makes it an excellent choice for capturing moving subjects. Movie shooting at a quality of Full HD 60p is also supported, and Dual pixel CMOS AF, which makes it possible to achieve high speed AF during Live View shooting, has been enhanced to be compatible for use with all EF lenses. Remote shooting and image sharing with smart devices is also made simple as the camera supports Wi-Fi and NFC.
Enhanced Dual pixel CMOS AF, 7.0fps Continuous Shooting - Capture Images One Step Ahead
- 24megapixel APS-C CMOS + DIGIC 6
- 45 point All Cross-Type AF
- Dual pixel CMOS AF
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- Focal length 24-70 mm
- Filter/attachment size 77 mm
- Aperture Range f/22 to f/2.8
- Maximum reproduction ratio 1/3.7
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The Nikon AF-S Nikkor 14-24mm 1-2.8G ED Lens from Nikon is an ultra wide-angle zoom lens with a constant f/2.8 maximum aperture that delivers edge-to-edge sharpness, high contrast and is a staple in the kits of advanced Nikon shooters. It features Nano Crystal and Super Integrated Coating to improve light transmission and reduce the effects of ghosting and flare. Two ED (Extra-low Dispersion) elements and three aspherical lenses control chromatic and spherical aberrations and combine to enhance sharpness and contrast. Designed for FX format DSLRs it is also compatible with DX-format cameras on which it offers the 35mm focal length equivalence of 21-36mm.
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Canon EF 85mm f-1.2L II USM Retaining the impressive optical performance and large aperture of the original EF 85mm f/1.2L USM, this new medium telephoto lens uses a Ring-type USM, high-speed CPU and optimized algorithms to achieve an autofocus speed approximately 1.8x faster than the original.
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For filmmakers and photographers who want the look and feel only possible with extreme wide angle and fisheye photography, the new Canon EF 8-15mm f/4L Fisheye USM is a world-class choice. It delivers 180° diagonal angle of view images for all EOS SLR cameras with imaging formats ranging from full-frame to APS-C, and provides 180° circular fisheye images for full-frame EOS models.
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The EF 50mm f/1.2L USM is a peerless new standard lens featuring an ultra-large aperture for a narrow depth of field and soft background blur so loved by photographers everywhere. The EF 50mm f/1.2L USM is suitable for any shooting situation.
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L-series professional f/1.4 wide-angle lens with an Aspherical lens element to correct aberrations. The floating system enables high picture quality to be obtained over the entire focusing range. Autofocusing is quick and quiet with rear focusing and ring USM. Full-time manual focusing is also possible.
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Canon’s newest fixed length L-series lens, the EF 24mm f/1.4L II USM, incorporates the newest in Canon lens technology for spectacular sharpness and impressive performance at all settings. It features two high-precision, large-diameter aspherical lenses for sharpness across the sensor, even in peripheral areas of full-frame sensors.
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L-series super-telephoto zoom lens equipped with an Image Stabilizer. The fluorite and Super UD-glass elements largely eliminate secondary spectrum. The floating system also ensures high picture quality at all focal lengths. The Image Stabilizer has two modes and it is compatible with Extenders 1.4x II and 2x II.
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- 50mm focal length
- Aperture f1.4
- Ring-type ultrasonic autofocus motor with full-time manual override
- Internal focus design
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- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/1.4 to f/16
- One FLD Element, Four SLD Elements
- Two Aspherical Elements
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The focal length of the Planar T* 1,4/50 is equal to the perspective of the human eye. Its fast aperture and exceptional compactness are its outstanding features. This lens produces pleasing portrait style quality at the widest aperture and sharpens considerably beyond f/4 for any general purpose application.
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Canon EF 15mm f-2.8 Fisheye lens with a 180º angle of view for unique and intriguing effects. The wide depth of field makes it even more interesting. The short minimum focusing distance of 8 in. (20 cm) gives new meaning to close-up shots. The lens has a fixed petal-type hood and a gelatin filter holder at the rear.
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- Type 22.3mm x 14.9mm CMOS
- Effective Pixels Approx. 18.00 megapixels
- Total Pixels Approx. 19.00 megapixels
- Aspect Ratio 3.2
- Low-Pass Filter Built-in/Fixed
- Sensor Cleaning EOS integrated cleaning system with fluorine coating
- Colour Filter Type Primary Colour
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Light Fixture
- Photometrics : 360° at 2700K:18 fc / 194 Lux at 6.6' / 2 m, 6500K: 19.4 fc / 209 Lux at 6.56' / 2 m
- Color Temperature : 2700 to 6500K
- Color Accuracy Standard : CRI 98, TLCI 95
- Dimming : Yes, 0 to 100%
- Fixture Weight : 2.6 lb / 1.18 kg
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- Grip Type : Dual Handgrips
- Attachment Method : Attaches via Rod Ports
- Rod Standard : 15 mm LWS / 60 mm Spacing
- Rod Ports : 2 x 15 mm Rod Port
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- Lights * 2 (16W)
- Background * 1
- Reflection Board * 5
- Sprare Light * 2
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- Voltage : 120 VAC, 50/60 Hz, 9 A
- Power Consumption : 1050 W
- Warm-Up Time : 13 minutes approx.
- Fluid Consumption : 90 mL per minute at maximum output
- Maximum Fluid Capacity : 2.53 qt (2.4 L)
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Sale!
- The H6 is the ultimate portable recorder. With its advanced preamps and interchangeable capsules, the H6 delivers unmatched versatility and award-winning quality. From podcasting to music to filmmaking and more, the H6 is your go-to recorder
- Interchangeable input capsules
- Six-track simultaneous recording
- Four mic/line inputs with XLR/TRS combo connectors
- Gain control knobs and -20dB pads for each input
- Supplied XYH-6 X/Y capsule provides secondary input via a stereo ⅛” Mic/Line In mini phone jack
- Large full-color, angled LCD display
- Over 20 hours of operation with 4 AA alkaline batteries
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Sale!Hand-held field recorders have been hot commodities for musicians, recording engineers, and sound designers for years. Today, the mercury rises in this dynamic market with the debut of the game-changing R-26. This innovative recorder is portable yet loaded with first-class, professional features, the likes of which the industry has not seen before. There are two types of stereo microphones built into the R-26, plus a pair of XLR/TRS combo inputs for external mics, and an input for a stereo plug-in powered mic. Choose simultaneous combinations of the built-in mics (directional and omnidirectional), as well as the external inputs. Capture live performances with simultaneous line and ambient signal paths, record important speeches, lectures, and presentations, or take the R-26 into the inner city or deep forest for pristine field capture. The sky’s the limit with this powerful, portable, and incredibly flexible recorder.
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This focusable redhead light accepts 150W, 300W and 650W bulbs. It fits every kind of situation and become quickly essential for a backup lighting. The light source can be controlled by adjusting the focus of the bulb and moving the barndoors.
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- Effective Pixels (Megapixels) 20.9 million.
- Sensor Size. 23.5 mm. x 15.6 mm.
- Image Sensor Format. DX.
- Storage Media. SD. SDHC. SDXC.
- ISO Sensitivity. ISO 100 - 51,200.
- Movie. 4K UHD 3,840x2,160 / 30 fps. 4K UHD 3,840x2,160 / 25 fps. ...
- Monitor Size. 3.2 in. diagonal.
- Monitor Type. (VGA) tilting TFT touch-sensitive LCD.
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Canon’s newest “L” series lens is its first mid-telephoto macro lens to include Canon’s sophisticated Image Stabilization. With the highest quality optics available, combined with near-silent Ultrasonic focusing and life-size close-up capabilities without an adapter, the EF 100mm f/2.8L Macro IS USM is simply unrivaled.
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- IMAGE SENSOR. Type. 22.5mm x 15.0mm CMOS. ...
- IMAGE PROCESSOR. Type. DIGIC 5+
- LENS. Lens Mount. EF/EF-S. ...
- FOCUSING. Type. TTL-CT-SIR with a CMOS sensor. ...
- FOCUS BRACKETING. AF Microadjustment. C.Fn II-13. ...
- EXPOSURE CONTROL. Metering Modes. TTL full aperture metering with 63 zone Dual Layer SPC. ...
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- Focal Length : 24 to 120mm
- Maximum Aperture : f/4
- Minimum Aperture : f/22
- Lens Mount : Nikon F
- Lens Format Coverage : Full-Frame
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- Color Temperature : 5600K ± 200K
- Color Accuracy Standard : CRI 96, TLCI 97
- Cooling System : Fan
- Dimming : Yes, 0 to 100%
- Photometrics : 1207.7 fc / 13,000 Lux at 3.3' / 1 m
- Fixture Dimensions : 5.7 x 3.5 x 3.5" / 145.0 x 88.0 x 88.0 mm
- Fixture Weight : 1.70 lb / 0.77 kg
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- Photometrics : 5600K: 5388.2 fc / 58,000 Lux at 3.28' / 1 m
- Color Temperature : 5600K ± 200K
- Color Accuracy Standard : CRI 96, TLCI 97
- Cooling System : Passive
- Dimming : Yes, 0 to 100% (Continuous)
- Fixture Dimensions : 6.3 x 7.9 x 13.4" / 16.0 x 20.0 x 34.0 cm
- Fixture Weight : 6.61 lb / 3.0 kg
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- Photometrics : 5600K: 6874.6 fc / 74,000 Lux at 3.28' / 1 m
- Color Temperature : 5600K ± 200K
- Color Accuracy Standard : CRI 96, TLCI 97
- Dimming : Yes, 0 to 100% (Continuous)
- Fixture Dimensions : 6.3 x 7.9 x 14.4" / 16.0 x 20.0 x 36.7 cm
- Fixture Weight : 7.28 lb / 3.3 kg
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- Lens Mount : Canon EF-S
- Optical Design : 13 Elements in 11 Groups
- Diaphragm Blades : 9
- Dimensions (ø x L) : 3.3 x 3.5" / 8.38 x 8.89 cm
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Canon EF 24-105mm f/4L IS USM Lens
- Angle of View : Diagonal 84° - 23° 20'
- FOCAL LENGTH : 24 – 105MM
- Aperture Range : Wide / Long f/4.0-22
- Number of Aperture Blades : 8
- Filter Size : 77mm
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- Build-in Godox 2.4G Wireless X System: -Optic transmission with even illumination and stable output. -Build-in 2.4G wireless transmission offers all-in-one functions and 100 meters further transmission distance. Full Support TTL Functions: Function include TTL auto flash, Manual Flash, 1/8000s High-speed sync, Flash Exposure Compensation, Second Curtain Sync, etc. Master & Slave Flash: -As a master flash unit to control Sony camera flashes e.g.HVL-F60M, HVL-F43M and HVL-F32M via wireless; -As a slave flash unit under control of Sony camera flashes e.g. HVL-F60M, HVL-F43M and HVL-F32M. Powerful & Convenient Li-ion Battery: -Max. 1.5s recycle time & 650 full power pops. -Forget the heavy burden and messy batteries' charging and handling. -2000mAh lithium batteries ensure better shooting performance. More Functions: -GN60 (m ISO 100 @ 200mm) and 22 steps of power output (1/1-1/128) -Support TTL/M/Multi/S1/S2 modes -Auto/Manual zoom head from 20 to 200mm. -Allow for USB firmware update. Specifications: Channel: Optical: 4(1, 2, 3, and 4); 2.4G: 32 (1-32) Slave-Ready Indicator: Yes, two red indicators blink Modelling Flash: Fired with camera's depth-of-field preview button Auto Focus Assist Beam Effective range (approx.): Centre: 0.6-10m/ 2.0-32.8 feet; Periphery: 0.6-5m/ 2.0-16.4 feet Power Source: 11.1V/2000mAh Li-on polymer Battery Recycle Time: <1.5 seconds. Red LED indicator will light up when the flash is ready. Full Power Flashes: approx. 650 Power Saving: Power off automatically after approx. 90 seconds of idle operation. (60 minutes if set as slave) Sync Triggering Mode: Hot shoe, 2.5mm sync line, Wireless control port Panel: Wide LCD panel, backlight on/Off Colour Temperature: 5600±200k Size: 64 x 76 x 190 mm Weight without battery: 430g Weight with battery: 540g
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5 Groups, 32 Channels, Over 500 Full Power Flashes, Super clear high-contrast info center, 3 Studio quality interchangeable modular flash heads Fresnel, Bare Tube, Round Diffusion Head, Rechargeable and Interchangeable 2900mAh Lithium Battery, Improved no-twist tilt head 2 way stand mount, Lightweight and portable. The greatest power in the most compact form, IGBT firing allows for shorter flash durations, 1/8000s High-Speed Sync flash, and TTL, FEC/FEB in 1/3rd stop increments over 6 stop range, Fully supports Canon ETTL II, Nikon iTTL, Sony TTL, Fujifilm, Pentax, Panasonic and Olympus TTL, Built-in 2.4GHz wireless radio TTL system with 330 foot range, Expanded Manual 9 stop range of power adjusts from full to 1/256 in 1/10th stop increments, LED Modeling with Fresnel and Optional Round Head, Produces up to 200ws, as much as 3 times more potent than speedlites in the same footprint
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- 24.1megapixel APS-C CMOS sensor & DIGIC 4+ image processor
- 9 point AF with 1 centre cross-type AF point
- Standard ISO 100 - 6400 (expandable to 12 800)
- Wi-Fi / NFC supported
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- Lens mount Nikon F mount (with AF contacts)
- Effective angle of view Nikon DX format; focal length equivalent to approx. 1.5x that of lenses with FX format angle of view
- Image sensor format DX
- Image sensor type CMOS
- Sensor size, 23.5 mm x 15.6 mm
- Total pixels 24.78 million
- Dust-reduction system Image Dust Off reference data (Capture NX-D software required)
- Effective pixels 24.2 million
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The 2ft 4Bank Kit from Kino Flo with Soft Case is a 4-lamp fluorescent light that outputs the equivalent of a 500W softlight while consuming a fraction of the traditional fixture’s electrical draw. The kit includes a 2′ 4Bank lamp head, a standard 4Bank ballast, mount with a Baby receiver, 25′ head extension cable, lamp case, and a soft, padded case for the light.
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Nikon SB-900 Flash Atop the Nikon Creative Lighting System, the SB-900 is an indispensable portable light source providing effective solutions to lighting challenges , Atop the Nikon Creative Lighting System, the SB-900 is an indispensable portable light source providing effective solutions to lighting challenges , Wireless Commander Mode offers wireless control at the master Speedlight position, controlling up to 3 remote Speedlight groups and an unlimited number of compatible Speedlights. Four wireless channel options help manage wireless conflicts in multi-photographer environments.
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The Speedlite 600EX II-RT delivers impressive power, responsive performance and advanced, wireless communication for those who demand the very best in flash photography. Featuring improved continuous performance up to 2.0x* faster than its predecessor, the Speedlite 600EX II-RT performs at a phenomenal speed, and reliably at that – new Quick Flash settings and a flash-readiness indicator help ensure priority shutter operation, even when the flash isn’t fully recharged. It’s also built for fast, convenient use virtually anywhere for any situation, with improved combination button and dial controls, a refined dust- and water-resistant body and new accessories tailor-made for enhanced lighting effects. For speedy and comprehensive flash photography on the go, the Speedlite 600EX II-RT delivers portable, professional performance with ease.
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Canon EF 70-200mm f-4L USM High-performance, L-series telephoto zoom lens combining light weight and compactness with an f/4 maximum aperture. Inner focusing and the ring USM enable quick and quiet autofocusing. Also, a circular polarizing filter can be attached and used without difficulty because the front lens element does not rotate during focusing. The tripod collar (sold separately) is the same one used with the EF 300mm f/4L USM.
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With the new EOS 60D DSLR, Canon gives the photo enthusiast a powerful tool fostering creativity, with better image quality, more advanced features and automatic and in-camera technologies for ease-of-use. It features an improved APS-C sized 18.0 Megapixel CMOS sensor for tremendous images, a new DIGIC 4 Image Processor for finer detail and excellent color reproduction, and improved ISO capabilities from 100 – 6400 (expandable to 12800) for uncompromised shooting even in the dimmest situations.
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- Micro Four Thirds Lens Mount
- 30mm (35mm Equivalent)
- Aperture Range: f/1.7 to f/16
- Three Aspherical Elements
- Manual Aperture Ring
- Works with Zenmuse X5 / X5R Cameras
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- Slim light body, thickness 2CM, weight 1.65KG
- Comes with a collapsible barn doors
- Magic bracket controls the 360 degree rotation of the light body
- High CRI, Ra:96-98, TLCI≧96
- Wide range CCT 2800K-6500K adjustable
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- LED : 504pcs
- Color Temperature : 3000K-5600K
- Brightness : 0%-100%
- Luminance : 2400 Lux/1m
- Beam Angle : 10º-360º
- CRI : ≥97
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Light Fixture
- Beam Angle : 70°
- Color Temperature : 2700 to 6500K ± 50K
- Color Accuracy Standard : CRI 98, TLCI 99
- Cooling System : Passive
- Dimming : Yes, 0 to 100% (Continuous)
- Display : LCD
- Housing Material : Metal
- Lumens : 1500
- Photometrics : 139.3 fc / 1500 Lux at 3.28' / 1 m
- Number of LEDs : 320
- Expected Lamp Life : 50000 Hours
- Rectangular Panel Size : 10.12 x 10.12" / 25.70 x 25.70 cm
- Fixture Dimensions : 11.9 x 11.9 x 0.9" / 302.0 x 302.0 x 24.0 mm
- Fixture Weight : 7.05 lb / 3.2 kg
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Audio And Sounds ( Microphones )
- Form Factor : Stand/Boom Mount
- Sound Field : Mono
- Operating Principle : Line Gradient
- Capsule : Condenser
- Diaphragm : 0.5" / 12.70 mm
