-
The 2ft 4Bank Kit from Kino Flo with Soft Case is a 4-lamp fluorescent light that outputs the equivalent of a 500W softlight while consuming a fraction of the traditional fixture’s electrical draw. The kit includes a 2′ 4Bank lamp head, a standard 4Bank ballast, mount with a Baby receiver, 25′ head extension cable, lamp case, and a soft, padded case for the light.
-
The 322RC2 is unique in that it allows the camera mounting assembly to be positioned for left or right hand operation, in horizontal or vertical position, and in addition, will allow you to unblock, move, position and lock your camera with one hand in one position. This is due to the revolutionary design of its grip handle which incorporates the ball lock lever. The very act of taking your hand away from the grip locks the head into position, which eliminates the extra step of having to tighten a knob or lever before being ready to shoot. The tension of the ball can be adjusted to accommodate the load weight
-
The 5-in-1 Collapsible Reflector Disc is versatile in the field and in the studio, providing shadow-lightening detail in your subject using available, or studio lighting. It starts out as a translucent white disc — perfect for softening direct sun, or lights without diffusion. Use the removable, reversible zippered slipcover to reflect light into shadow areas of your subject. Your choice of color — silver, gold, white, silver/gold mix — will be determined by the lighting conditions, and your personal preference.
-
Optimized optical quality with low chromatic aberration, telecentricity and low distortion, ideal for high performance S35 digital cameras • Internal focus with minimal breathing • Image circle of 31.4mm diagonal for perfect illumination of the S35 sensors • Very robust and precise zoom and focus mechanics with Angénieux unique rod guiding system design • Precise focus marks with easily interchangeable focus scale ring from feet to meters • Integrated filter holder for standard screw in filters • Integrated net holder • Optional front protective glass • Designed for easy maintenance • Standard PL mount lens. Panavision, Canon EF or Nikon F mounts optional
-
- Voltage : 120 VAC, 50/60 Hz, 9 A
- Power Consumption : 1050 W
- Warm-Up Time : 13 minutes approx.
- Fluid Consumption : 90 mL per minute at maximum output
- Maximum Fluid Capacity : 2.53 qt (2.4 L)
-
Light Fixture
ConnectorsPhotometrics 55° at 2700K: 299.1 fc / 3220 Lux at 9.8' / 3 m 55° at 4300K: 516.5 fc / 5560 Lux at 9.8' / 3 m 55° at 6500K: 453.4 fc / 4880 Lux at 9.8' / 3 m Color Temperature 2700 to 6500K +/- 200K Color Accuracy Standard CRI 96 TLCI 96 Cooling System Passive Dimming Yes 0 to 100% (Continuous) Display None Beam Angle 55°
LensBattery Plate 2 x V-Mount Power Input Connection XLR 3-Pin DMX Connection 5-Pin XLR
MountingReflector Mount Bowens S-Type
YokeFixture Mount Combination 1-1/8" Stud and 5/8" Receiver
Remote OperationYoke Type Yoke/Bracket
PowerRemote Control Type Bluetooth, DMX, Wi-Fi, Wireless DMX
CableAC Input Power None Power Source AC Adapter, External Battery Max Power Consumption 720 W Cable Length 19.7' / 6 m Cable Type powerCON to 3-Pin XLR -
- Beam Angle : 105°
- Color Temperature : 2700 to 6500K, CRI 96, TLCI 96
- Color Accuracy Standard : CQS 95
- Cooling System : Fan
- Dimming : Yes, 0 to 100% (Continuous)
- Display : LCD
- Housing Material : Aluminum
-
- With CRI and TLCI scores of 96+, a tungsten SSI score of up to 85, and a D55 SSI score of up to 74, the 300x will always provide you with top of the line, accurate color reproduction, 5500k color temp matches the sun and blend seamlessly as white light for natural
- The 300x is the first of many Aputure lights to utilize the expanded vari-white CCT range of 2700K-6500K, going beyond traditional bi-color, allowing you to produce light that is warmer than typical tungsten fixtures, and cooler than conventional daylight (D55).
- The 300x even features two output modes: Max Output and Constant Output mode. In Constant Output mode, you can change your CCT precisely while maintaining a consistent luminance level. Combined with a new, smoother dimming system, you even gain the ability to seamlessly shift your color temperature in the middle of a scene. In Max Output mode, however, the 300x will always maximize your output for your CCT and dimming level, with the highest output range being 4000K-5500K.
- The LS300X updated the control box featuring a new CCT control wheel. The 300x CCT dial allows you to fine-tune your CCT in +/- 50K increments. But with the PRESET button located in the middle of the wheel, you can also toggle between 5 common CCT presets (2700K, 3200K, 4300K, 5500K, 6500K) for quick accessibility.
- LS 300X supports controlling lights in multiple control methods, like the control box, 2.4G RF remote, DMX 512, as well as by the Bluetooth Mesh Sidus Link App. The 300x also launches with 9 built-in lighting FX in the control box, such as “Paparazzi” “Fireworks” “Lightning” “Faulty Bulb” “TV” “Pulsing” “Strobe” “Explosion” and “Fire”, all with adjustable color temperature.
-
V-Mic D1 - Directional Condenser Shotgun Microphone
- THD : ≤0.5%
- Power : DC 3.0V (2x AAA 1.5V)
- Dimension (mm) : 155.7 x 43.6 x 91.3mm (6.1 x 1.7 x 3.6 in)
- Weight (No Battery) : 90g (3.2oz)
-
Sale!
- Sensor 35mm format ARRI ALEV III CMOS
- In-camera ARRIRAW recording up to 120fps** onto XR Capture Drives.
- Faster and longer ProRes/DNxHD recording **
- Open Gate* sensor mode to capture the largest available sensor area.
- Capture true anamorphic, thanks to the tall 4:3 sensor mode.
- Base ISO 800 ASA
- Latitude 14+ Stops
- Bit Depth 16 bit linear internal image processing
-
The Alura Zooms’ color characteristics, as well as their handling, are matched to existing prime lenses in ARRI’s outstanding repertoire. ARRI zoom 45-250mm now offers the widest range of cine lenses for all professional production demands, including zooms, high speed primes, standard speed primes, extreme wide angle and telephoto primes, macro, extenders and diopters.
-
Open up Apple ProRes and Avid DNxHD post production quality to thousands of devices (cameras, projectors, tablets, phones, game consoles, medical and industrial equipment). Take your consumer camera to a truly Pro recording device. Avoid the internal MPEG compression & go from sub 30Mbps MPEG to 220Mbps ready to edit 10-bit 422 Apple ProRes HQ. Record to standard 2.5” HDDs and SSDs. A 1TB HDD gives you 10+ hours of Apple ProRes HQ. Buy your choice of media that is affordable, reliable and readily available.
-
Atomos Ninja 2 Video Recorder is an HDMI recorder built into an 800 x 480 resolution monitor that records up to 1080/30p/60i resolution directly from your camera’s sensor. It records to an optional HDD or SSD in using Apple’s ProRes or Avid’s DNxHD edit-ready codecs. The Ninja 2 supports 10-bit 4:2:2 color sampling for vivid images superior to most DSLR internal recording capabilities, and you can still record 8-bit video to the Ninja 2. Built-in exposure tools such as false color and zebra bars provide useful aids in exposing your footage, while the built-in focus peaking tool can alert you to out of focus shots may be difficult to see on an on-camera monitor.
-
Record direct from the camera sensor to your choice of Apple ProRes, DNxHD/DNxHR or RAW* in 10-bit 422 quality onto affordable media options. Based on the camera’s output the Shogun can accept and record up to 4K 30p and HD 120p over HDMI or 12/6/3/1.5G SDI.
-
The Atomos Shogun Studio 4K Monitor / Recorder combines two color-calibrated 1920 x 1200 resolution displays with 4K video recording and edit-ready codecs in a 3RU chassis with removable rack mount ears. This configuration is well suited for live event, studio, and on-set DIT work. The Shogun Studio utilizes 4K HDMI and 12G-SDI inputs to record clean output signals at resolutions up to UHD 4K (3840 x 2160) at 23.98, 24, 25, 29.97, and 30p, as well as Full HD (1920 x 1080) video up to 120 fps when used with capable cameras. The Shogun records 10-bit, 4:2:2 UHD 4K and HD video to Apple ProRes HQ, 422, or LT formats. It can also record HD video using Avid’s DNxHD format and UHD 4K video using Avid’s DNxHR. Video is recorded to single or raided 2.5″ HDD and SDDs for fast and reliable write speeds.
-
The B+W 77mm MRC 110M Solid Neutral Density 3.0 Filter is an ND filter with a 1,000x filter factor that provides a 10-stop exposure reduction. Its 3.0 density creates a darkening of the entire image, allowing you to photograph with a wider aperture or slower shutter speed than normally required. By slowing your exposure time or increasing your aperture, you are able to control depth of field and convey movement more easily. Neutral density filters do not affect the coloration of the image and are ideal for pairing with other filters.
-
Wildclickz Beauty Dish is designed to give a wide, uniform and softlight as well as shadow definition, when mounted to a Profoto flash head. The gradual fall-off makes it perfect for close-up beauty photography.
-
The reflector is ideal for portrait and commercial photography where broad, soft, even lighting is required, but with more crispness than a softbox. And the included deflectors give you options for warming or neutral color balances in addition to eliminating specular light from the flashtube. The grid narrows the beam angle of the reflectors precisely, affecting the direction and spread of light. which includes 1)21cm 30′ honey comb 2)21cm 20’honey comb 3)21cm 12’honey comb 4)21cm 8’honey comb
-
Fitting in a 6RU design that’s only an inch thick, the Blackmagic Design 17″ SmartView HD Studio Monitor can be easily integrated into a studio or post-production setup. Through the rear inputs, SD, HD, and 3G-SDI signals can be displayed, with 1080p signals shown at a pixel-to-pixel ratio for critical sharpness evaluation. Resolution is auto-detected, so there is no need for regular menu-diving to correct the picture. Adjustments can be conveniently made by including the SmartView HD into your network for full software control.
-
- Lens Mount : Canon EF
- Lens Communication : Yes, with Autofocus Support
- Sensor Resolution : Effective: 21.2 Megapixel (6144 x 3456)
- Sensor Type : 23.1 x 12.99 mm (Super35) CMOS
- Built-In ND Filter : Mechanical Filter Wheel with Clear, 2 Stop (1/4), 4 Stop (1/16), 6 Stop
- ISO Sensitivity : 100 to 25,600 (Expanded)
- Shutter Type : Rolling Shutter
- Advertised Dynamic Range : 13 Stops
