- Focal Length : 24 to 120mm
- Maximum Aperture : f/4
- Minimum Aperture : f/22
- Lens Mount : Nikon F
- Lens Format Coverage : Full-Frame
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- Focal length : 18-105 mm
- Max/min aperture : f/3.5-5.6
- Lens construction : 15 elements in 11 groups (with one ED glass and one hybrid a-spherical lens)
- Picture angle : 76° , 15°20’ (DX-format)
- Minimum focus distance : 0.45 m
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- Focal Length : 55 to 250mm (35mm Equivalent Focal Length: 88 to 400mm)
- Maximum Aperture : f/4 to 5.6
- Minimum Aperture : f/22 to 32
- Lens Mount : Canon EF-S
- Lens Format Coverage : APS-C
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- Focal Length : 18 to 55mm (35mm Equivalent Focal Length: 28.8 to 88mm)
- Maximum Aperture : f/3.5 to 5.6
- Minimum Aperture : f/22 to 38
- Lens Mount : Canon EF-S
- Lens Format Coverage : APS-C
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- Focal Length : 10 to 18mm (35mm Equivalent Focal Length: 16 to 28.8mm)
- Maximum Aperture : f/4.5 to 5.6
- Minimum Aperture : f/22 to 29
- Lens Mount : Canon EF-S
- Lens Format Coverage : APS-C
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- Screen Size : 21.5-inch
- Display Type : LED
- Resolution (pixels) : 1920 x 1080
- HDMI input : Up to 1080/60P
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CANON EOS 6D MARK II
- Megapixels : 26.2
- Total Pixels : 27.1
- Sensor Size : 35.9 x 24.0mm
- Pixel Dimensions : 6240 x 4160
- Pixel Size : 5.75µm
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- Mounts On : Full-Frame
- Angle of View : Diagonal 46°
- Angle of View : Horizontal 40°00'
- Angle of View : Vertical 27°30'
- Aperture Range : Wide / Long f/1.8-22
- Number of Aperture Blades : 7
- Actual Weight : 5.6 oz (160g)
- Max Length at Full Extension : 2.37” (60.3mm)
- AF Motor Type : STM
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Canon EF 24-105mm f/4L IS USM Lens
- Angle of View : Diagonal 84° - 23° 20'
- FOCAL LENGTH : 24 – 105MM
- Aperture Range : Wide / Long f/4.0-22
- Number of Aperture Blades : 8
- Filter Size : 77mm
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- Lens type : Prime lens
- Focal length : 135 mm
- Image stab. : No
- Lens mount : Canon EF
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Canon EF 14mm f/2.8L USM
- Lens type : Prime lens
- Focal length : 14 mm
- Image stab : No
- Lens mount : Canon EF
- Max aperture : F2.8
- Min aperture : F22
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Sale!
- HELIUM 8K S35
- 35.4 Megapixel CMOS Sensor
- 29.90 mm x 15.77 mm (Diag: 33.80 mm)
- 60 fps at 8K Full Format (8192 × 4320)
- 75 fps at 8K 2.4:1 (8192 × 3456)
- Integrated I/O’s
- Three SDI outputs (two mirrored and one independent)
- Support for wider input voltage (11.5-32V)
- 24V & 12V power outs (two of each)
- 12V P-Tap port
- Integrated 5-pin XLR stereo audio input (line/mic/+48V selectable)
- Genlock, timecode, USB, and control
- Shimmed PL mount
- Large diameter fan provides improved thermal performance
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Sale!
- Sensor: 36.3 MP FX, 4.8 pixel size.
- Sensor Size: 35.9 x 24mm.
- Resolution: 7360 x 4912.
- DX Mode: 15.3 MP.
- DX Mode Resolution: 4800 x 3200.
- Native ISO Sensitivity: 64-12,800.
- Boost Low ISO Sensitivity: 32.
- Boost High ISO Sensitivity: 25,600-51,200.
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- E-Mount Lens/Full-Frame Format
- Aperture Range: f/1.4 to f/16
- One AA Element & One Aspherical Element
- One Extra-Low Dispersion Element
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- E-Mount Lens/Full-Frame Format
- Aperture Range: f/1.4 to f/16
- One XA Element and Three ED Elements
- Nano AR Coating
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- E-Mount Lens/Full-Frame Format
- Aperture Range: f/1.4 to 16
- One AA & Three Aspherical Elements
- Zeiss T* Anti-Reflective Coating
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- Focal Length 16 to 35mm
- Filter Size 82 mm (Front)
- Aperture open : f2.8
- Dimensions (ø x L) 3.48 x 4.79" / 88.5 x 121.6 mm
- Weight 1.5 lb / 680 g
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- E-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- One XA Element & Two Aspherical Elements
- One ED Element & One Super ED Element
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- Mount : Sony E-mount
- Format: 35 mm full-frame
- Equivalent focal length: 35mm
- Aperture Range : f22 to f2.8
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Sale!
- HELIUM 8K S35
- Sensor Type 29.9 x 15.77 mm (Super35)
- Advertised Dynamic Range 16.5 Stops
- Signal-to-Noise Ratio 80 dB
- Raw Recording 8192 x 4320 at 24/30 fps
- Raw Recording 4096 x 2160 at 24/60 fps
- ProRes 422HQ 4096 x 2160 at 29.97 fps
- DNxHR 8-Bit 4096 x 2160 at 29.97 fps
- Audio Recording 2-Channel 24-Bit 48 kHz
- Built-In Microphone Type Stereo
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- 20MP Dual-Pixel AF CMOS Sensor.
- 10 fps continuous shooting with autofocus.
- 65 all cross-type autofocus sensor.
- 150,000 RGB + IR pixel metering sensor.
- Dual Digic 6 processors.
- Enhanced environmental sealing.
- Compact Flash (UDMA) and SD (UHS-I) slots.
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Enhanced Dual pixel CMOS AF, 7.0fps Continuous Shooting - Capture Images One Step Ahead
- 24megapixel APS-C CMOS + DIGIC 6
- 45 point All Cross-Type AF
- Dual pixel CMOS AF
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- 24.1megapixel APS-C CMOS sensor & DIGIC 4+ image processor
- 9 point AF with 1 centre cross-type AF point
- Standard ISO 100 - 6400 (expandable to 12 800)
- Wi-Fi / NFC supported
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- 45MP Full-Frame CMOS Sensor
- DIGIC X Image Processor
- 8K30 Raw and 4K120 10-Bit Internal Video
- Sensor-Shift 5-Axis Image Stabilization
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- Lens mount Nikon F mount (with AF contacts)
- Effective angle of view Nikon DX format; focal length equivalent to approx. 1.5x that of lenses with FX format angle of view
- Image sensor format DX
- Image sensor type CMOS
- Sensor size, 23.5 mm x 15.6 mm
- Total pixels 24.78 million
- Dust-reduction system Image Dust Off reference data (Capture NX-D software required)
- Effective pixels 24.2 million
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- Effective Pixels (Megapixels) 20.9 million.
- Sensor Size. 23.5 mm. x 15.6 mm.
- Image Sensor Format. DX.
- Storage Media. SD. SDHC. SDXC.
- ISO Sensitivity. ISO 100 - 51,200.
- Movie. 4K UHD 3,840x2,160 / 30 fps. 4K UHD 3,840x2,160 / 25 fps. ...
- Monitor Size. 3.2 in. diagonal.
- Monitor Type. (VGA) tilting TFT touch-sensitive LCD.
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- 61MP Full-Frame Exmor R BSI CMOS Sensor
- BIONZ X Image Processor & Front-End LSI
- 567-Point Phase-Detection AF System
- UHD 4K30p Video with HLG & S-Log3 Gammas
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The Mini Converter HDMI to SDI 4K from Blackmagic Design allows you to convert HDMI to SD, HD, 3G, or 6G-SDI in resolutions up to Ultra HD 4K (3840 x 2160) and DCI 4K (4096 x 2160). This is useful for connecting consumer devices that output HDMI signals with professional SDI video equipment. With a compact form factor and easy-to-use controls, the Mini Converter is ideal for a variety of broadcast, post production, and professional AV applications.
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Nikon SB-900 Flash Atop the Nikon Creative Lighting System, the SB-900 is an indispensable portable light source providing effective solutions to lighting challenges , Atop the Nikon Creative Lighting System, the SB-900 is an indispensable portable light source providing effective solutions to lighting challenges , Wireless Commander Mode offers wireless control at the master Speedlight position, controlling up to 3 remote Speedlight groups and an unlimited number of compatible Speedlights. Four wireless channel options help manage wireless conflicts in multi-photographer environments.
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Bringing a new level of versatility and capability to flash photography, the Speedlite 430EX II features a powerful flash (guide number of 141 ft./43m at ISO 100) with a fast recycling time in a compact, durable body.
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The Speedlite 600EX II-RT delivers impressive power, responsive performance and advanced, wireless communication for those who demand the very best in flash photography. Featuring improved continuous performance up to 2.0x* faster than its predecessor, the Speedlite 600EX II-RT performs at a phenomenal speed, and reliably at that – new Quick Flash settings and a flash-readiness indicator help ensure priority shutter operation, even when the flash isn’t fully recharged. It’s also built for fast, convenient use virtually anywhere for any situation, with improved combination button and dial controls, a refined dust- and water-resistant body and new accessories tailor-made for enhanced lighting effects. For speedy and comprehensive flash photography on the go, the Speedlite 600EX II-RT delivers portable, professional performance with ease.
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Nikon AF-S VR Zoom-NIKKOR 55-200mm f/4-5.6G Lens is a versatile and ultra-compact telephoto zoom lens that offers a 3.6x zoom range, ideal for portraiture, sports or wildlife photography. Its equivalent focal length in 35mm terms, when used on a digital camera, is 82.5-300mm. It is the ideal companion to the DX 18-55mm f/3.5-5.6G ED standard zoom lens.
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- Focal length 50 mm
- Aperture Range f/1.8 to f/16
- Minimum focus distance 0.45 m/1.48 ft
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- Focal length 24-70 mm
- Filter/attachment size 77 mm
- Aperture Range f/22 to f/2.8
- Maximum reproduction ratio 1/3.7
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The Nikon AF-S Nikkor 14-24mm 1-2.8G ED Lens from Nikon is an ultra wide-angle zoom lens with a constant f/2.8 maximum aperture that delivers edge-to-edge sharpness, high contrast and is a staple in the kits of advanced Nikon shooters. It features Nano Crystal and Super Integrated Coating to improve light transmission and reduce the effects of ghosting and flare. Two ED (Extra-low Dispersion) elements and three aspherical lenses control chromatic and spherical aberrations and combine to enhance sharpness and contrast. Designed for FX format DSLRs it is also compatible with DX-format cameras on which it offers the 35mm focal length equivalence of 21-36mm.
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The AF-S DX NIKKOR 18-55mm f/3.5-5.6G from Nikon is a general-purpose DX format zoom lens featuring a retractable barrel for a compact, lightweight design. The lens has a zoom range of 18-55mm, equivalent to 27-82.5mm in the 35mm format, which makes it useful in a wide variety of shooting conditions. The retractable design makes it easier to store and carry than standard lenses.
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Nikon AF-S 70-200 f 2.8 G II Lens is a sharp, versatile, and durable telephoto zoom lens with a fast constant maximum aperture, useful in lowlight situations. A workhorse of a lens used by professionals and amateurs alike it is ideal for photojournalism, sports, and wildlife photography and is effective for almost all telephoto applications, including portraiture. An FX format lens, it can also be mounted and used on DX format DSLRs.
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Nikon AF-P NIKKOR 70-300mm f/4.5-6.3G VR Lens from Nikon. Designed for DX-format DSLRs, this telephoto zoom offers users an impressive equivalent focal length range of 105-450mm. Using an extra-low dispersion element and the Super Integrated Coating, users will be able to capture crisp, clean images with minimal flare and ghosting. Also, this model offers Nikon’s Vibration Reduction image stabilization that can compensate for about 4 stops of shutter speed, something that is especially useful at longer focal lengths. The AF-P series of lenses uses a special pulse motor AF system which uses stepping motors for smooth, silent focusing during both stills and video shooting. This series removes switches from the lens barrel to avoid accidentally changing settings, allowing users to change settings in their camera’s menu. Additionally, it utilizes a rounded 7-blade diaphragm for smooth bokeh.
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Nikon calls this the Nikon AF Nikkor 28-80mm f/3.5-5.6D 8 elements in 8 groups. Spherical, multi-coated. 1.3 feet (0.4m) at all focal lengths; excellent and much more convenient than more expensive lenses.
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The widest tilt-shift lens in Canon’s lineup, the new TS-E 17mm f/4L lens expands shooting possibilities exponentially on EOS Digital cameras. Designed with UD glass to minimize and compensate for chromatic aberrations, with a specially coated aspherical element for the highest possible glare-free image quality, this tilt-shift lens offers a diagonal angle of view of 104° on a full-frame SLR camera.
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The EF-S 18-135mm f/3.5-5.6 IS STM Lens from Canon is a wide angle zoom lens with an 18-135mm focal range that is equivalent to 29-216mm in the 35mm format. This wide set of focal lengths offers flexibility in shooting everything from expansive landscapes and cramped interiors to group shots, portraits and distant subjects. Optical Image Stabilization reduces the blurred effect of camera shake up to 4 stops and the new Dynamic Image Stabilization improves the look of video while tracking moving subjects or walking with your camera
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Canon EF-S 18-135mm f-3.5-5.6 IS USM An all-around lens ideal for creative photography and movies, Canon’s EF-S 18-135mm f/3.5-5.6 IS USM adds cutting-edge technology to an extremely flexible zoom range. Delivering remarkable performance for everyday capture, it’s equipped with Canon’s new NANO USM technology, featuring high-speed and near-silent AF. What’s more, it’s also compatible with Canon’s new Power Zoom Adapter PZ-E1 for more natural zooming during movie capture. For landscapes, portraits, sports videos and everything in between, the EF-S 18-135mm f/3.5-5.6 IS USM provides great versatility with its magnificent optics, comprehensive zoom range and premium design. It’s an impressive complement to the EOS 80D camera, or any EOS camera with an APS-C size sensor.
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Canon EF-S 10-22mm f-3.5-4.5 USM This exciting zoom lens provides ultra wide-angle coverage to the EOS 20D, 30D, 40D, 50D and Digital Rebel SLRs. Equivalent to a 16-35mm zoom, it offers excellent performance and optics designed from the ground-up for digital SLR use. Three Aspherical lens elements, plus a Super-UD element, assure image quality. Its ring-type USM means fast and silent AF along with full-time manual focus. It focuses as close as 9.5 inches.
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Canon EF 85mm f-1.8 USM A highly practical medium telephoto lens with superb delineation and portability. Images are sharp and clear at all apertures. Through computer simulations, the lens has been designed to give beautiful background blur. Since the front lens group does not rotate during focusing special filter effects are not affected.
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Canon EF 85mm f-1.2L II USM Retaining the impressive optical performance and large aperture of the original EF 85mm f/1.2L USM, this new medium telephoto lens uses a Ring-type USM, high-speed CPU and optimized algorithms to achieve an autofocus speed approximately 1.8x faster than the original.
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For filmmakers and photographers who want the look and feel only possible with extreme wide angle and fisheye photography, the new Canon EF 8-15mm f/4L Fisheye USM is a world-class choice. It delivers 180° diagonal angle of view images for all EOS SLR cameras with imaging formats ranging from full-frame to APS-C, and provides 180° circular fisheye images for full-frame EOS models.
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Canon EF 70-200mm f-4L USM High-performance, L-series telephoto zoom lens combining light weight and compactness with an f/4 maximum aperture. Inner focusing and the ring USM enable quick and quiet autofocusing. Also, a circular polarizing filter can be attached and used without difficulty because the front lens element does not rotate during focusing. The tripod collar (sold separately) is the same one used with the EF 300mm f/4L USM.
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Canon EF 70-200mm f-2.8L USM Incorporating Canon’s second generation Image Stabilization technology, this telephoto zoom responds in as little as 0.5 seconds, while providing up to three stops of correction for camera shake. Its AF system has been refined for better response time and tracking speed.
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Improving upon one of the most celebrated lenses in the Canon EF line is no easy feat, but Canon has done just that. The all-new EF 70-200mm f/2.8L IS II USM increases the speed, performance and optical quality of the EF 70-200 f/2.8L IS USM while maintaining all of the characteristics that have made it a legend for professionals and advanced amateurs alike.
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Compact and lightweight-an outstanding walk-around lens-Canon’s EF 50mm f/1.8 STM is a great entry into the world of EOS prime lenses. With an 80mm effective focal-length on APS-C cameras, 50mm on full-frame cameras.it’s an excellent prime lens for portraits, action, even nighttime photography.
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Standard lens featuring superb quality and portability. Two high-refraction lens elements and new Gaussian optics eliminate astigmatism and suppress astigmatic difference. Crisp images with little flare are obtained even at the maximum aperture.
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The EF 50mm f/1.2L USM is a peerless new standard lens featuring an ultra-large aperture for a narrow depth of field and soft background blur so loved by photographers everywhere. The EF 50mm f/1.2L USM is suitable for any shooting situation.
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L-series professional f/1.4 wide-angle lens with an Aspherical lens element to correct aberrations. The floating system enables high picture quality to be obtained over the entire focusing range. Autofocusing is quick and quiet with rear focusing and ring USM. Full-time manual focusing is also possible.
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Canon’s newest fixed length L-series lens, the EF 24mm f/1.4L II USM, incorporates the newest in Canon lens technology for spectacular sharpness and impressive performance at all settings. It features two high-precision, large-diameter aspherical lenses for sharpness across the sensor, even in peripheral areas of full-frame sensors.
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Meeting the ever-increasing demands on image quality that digital photography brings, the redesigned EF 24-70mm f/2.8L II USM is the latest update to the acclaimed L-Series of EF optics, re-establishing a new standard for superb optics, high-end durable construction, and performance in professional zoom lenses.
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A new and affordable L-series ultra-wide-angle zoom lens that’s ideal for both film and digital SLRs. Superior optics are assured by the use of three Aspherical lens elements, in addition to a Super UD (Ultra-low Dispersion) glass element. Optical coatings are optimized for use with digital cameras.
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The EF 16-35mm f/2.8L II USM is a high performance, water-resistant, and ultra wide-angle Canon L-series lens. It has been specifically designed for improved edge-to-edge image quality that will meet the strict requirements of professional and high-end amateur photographers.
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Canon EF 15mm f-2.8 Fisheye lens with a 180º angle of view for unique and intriguing effects. The wide depth of field makes it even more interesting. The short minimum focusing distance of 8 in. (20 cm) gives new meaning to close-up shots. The lens has a fixed petal-type hood and a gelatin filter holder at the rear.
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Canon EF 100mm is an Autofocus lens for macro photography up to life-size (1x) magnification. Inner focusing affords a long working distance of 5.9in. (149mm) at 1x. A 3-group floating system results in excellent delineation at all focusing distances. Ring USM for silent and high-speed AF, and full-time manual focusing also provided.