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The widest tilt-shift lens in Canon’s lineup, the new TS-E 17mm f/4L lens expands shooting possibilities exponentially on EOS Digital cameras. Designed with UD glass to minimize and compensate for chromatic aberrations, with a specially coated aspherical element for the highest possible glare-free image quality, this tilt-shift lens offers a diagonal angle of view of 104° on a full-frame SLR camera.
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The EF-S 18-135mm f/3.5-5.6 IS STM Lens from Canon is a wide angle zoom lens with an 18-135mm focal range that is equivalent to 29-216mm in the 35mm format. This wide set of focal lengths offers flexibility in shooting everything from expansive landscapes and cramped interiors to group shots, portraits and distant subjects. Optical Image Stabilization reduces the blurred effect of camera shake up to 4 stops and the new Dynamic Image Stabilization improves the look of video while tracking moving subjects or walking with your camera
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Canon EF-S 18-135mm f-3.5-5.6 IS USM An all-around lens ideal for creative photography and movies, Canon’s EF-S 18-135mm f/3.5-5.6 IS USM adds cutting-edge technology to an extremely flexible zoom range. Delivering remarkable performance for everyday capture, it’s equipped with Canon’s new NANO USM technology, featuring high-speed and near-silent AF. What’s more, it’s also compatible with Canon’s new Power Zoom Adapter PZ-E1 for more natural zooming during movie capture. For landscapes, portraits, sports videos and everything in between, the EF-S 18-135mm f/3.5-5.6 IS USM provides great versatility with its magnificent optics, comprehensive zoom range and premium design. It’s an impressive complement to the EOS 80D camera, or any EOS camera with an APS-C size sensor.
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Canon EF-S 10-22mm f-3.5-4.5 USM This exciting zoom lens provides ultra wide-angle coverage to the EOS 20D, 30D, 40D, 50D and Digital Rebel SLRs. Equivalent to a 16-35mm zoom, it offers excellent performance and optics designed from the ground-up for digital SLR use. Three Aspherical lens elements, plus a Super-UD element, assure image quality. Its ring-type USM means fast and silent AF along with full-time manual focus. It focuses as close as 9.5 inches.
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Canon EF 85mm f-1.8 USM A highly practical medium telephoto lens with superb delineation and portability. Images are sharp and clear at all apertures. Through computer simulations, the lens has been designed to give beautiful background blur. Since the front lens group does not rotate during focusing special filter effects are not affected.
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Canon EF 85mm f-1.2L II USM Retaining the impressive optical performance and large aperture of the original EF 85mm f/1.2L USM, this new medium telephoto lens uses a Ring-type USM, high-speed CPU and optimized algorithms to achieve an autofocus speed approximately 1.8x faster than the original.
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For filmmakers and photographers who want the look and feel only possible with extreme wide angle and fisheye photography, the new Canon EF 8-15mm f/4L Fisheye USM is a world-class choice. It delivers 180° diagonal angle of view images for all EOS SLR cameras with imaging formats ranging from full-frame to APS-C, and provides 180° circular fisheye images for full-frame EOS models.
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Canon EF 70-200mm f-4L USM High-performance, L-series telephoto zoom lens combining light weight and compactness with an f/4 maximum aperture. Inner focusing and the ring USM enable quick and quiet autofocusing. Also, a circular polarizing filter can be attached and used without difficulty because the front lens element does not rotate during focusing. The tripod collar (sold separately) is the same one used with the EF 300mm f/4L USM.
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Canon EF 70-200mm f-2.8L USM Incorporating Canon’s second generation Image Stabilization technology, this telephoto zoom responds in as little as 0.5 seconds, while providing up to three stops of correction for camera shake. Its AF system has been refined for better response time and tracking speed.
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Improving upon one of the most celebrated lenses in the Canon EF line is no easy feat, but Canon has done just that. The all-new EF 70-200mm f/2.8L IS II USM increases the speed, performance and optical quality of the EF 70-200 f/2.8L IS USM while maintaining all of the characteristics that have made it a legend for professionals and advanced amateurs alike.
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Compact and lightweight-an outstanding walk-around lens-Canon’s EF 50mm f/1.8 STM is a great entry into the world of EOS prime lenses. With an 80mm effective focal-length on APS-C cameras, 50mm on full-frame cameras.it’s an excellent prime lens for portraits, action, even nighttime photography.
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Standard lens featuring superb quality and portability. Two high-refraction lens elements and new Gaussian optics eliminate astigmatism and suppress astigmatic difference. Crisp images with little flare are obtained even at the maximum aperture.
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The EF 50mm f/1.2L USM is a peerless new standard lens featuring an ultra-large aperture for a narrow depth of field and soft background blur so loved by photographers everywhere. The EF 50mm f/1.2L USM is suitable for any shooting situation.
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L-series professional f/1.4 wide-angle lens with an Aspherical lens element to correct aberrations. The floating system enables high picture quality to be obtained over the entire focusing range. Autofocusing is quick and quiet with rear focusing and ring USM. Full-time manual focusing is also possible.
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Canon’s newest fixed length L-series lens, the EF 24mm f/1.4L II USM, incorporates the newest in Canon lens technology for spectacular sharpness and impressive performance at all settings. It features two high-precision, large-diameter aspherical lenses for sharpness across the sensor, even in peripheral areas of full-frame sensors.
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Meeting the ever-increasing demands on image quality that digital photography brings, the redesigned EF 24-70mm f/2.8L II USM is the latest update to the acclaimed L-Series of EF optics, re-establishing a new standard for superb optics, high-end durable construction, and performance in professional zoom lenses.
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A new and affordable L-series ultra-wide-angle zoom lens that’s ideal for both film and digital SLRs. Superior optics are assured by the use of three Aspherical lens elements, in addition to a Super UD (Ultra-low Dispersion) glass element. Optical coatings are optimized for use with digital cameras.
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The EF 16-35mm f/2.8L II USM is a high performance, water-resistant, and ultra wide-angle Canon L-series lens. It has been specifically designed for improved edge-to-edge image quality that will meet the strict requirements of professional and high-end amateur photographers.
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Canon EF 15mm f-2.8 Fisheye lens with a 180º angle of view for unique and intriguing effects. The wide depth of field makes it even more interesting. The short minimum focusing distance of 8 in. (20 cm) gives new meaning to close-up shots. The lens has a fixed petal-type hood and a gelatin filter holder at the rear.
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Canon EF 100mm is an Autofocus lens for macro photography up to life-size (1x) magnification. Inner focusing affords a long working distance of 5.9in. (149mm) at 1x. A 3-group floating system results in excellent delineation at all focusing distances. Ring USM for silent and high-speed AF, and full-time manual focusing also provided.
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Canon’s newest “L” series lens is its first mid-telephoto macro lens to include Canon’s sophisticated Image Stabilization. With the highest quality optics available, combined with near-silent Ultrasonic focusing and life-size close-up capabilities without an adapter, the EF 100mm f/2.8L Macro IS USM is simply unrivaled.
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L-series super-telephoto zoom lens equipped with an Image Stabilizer. The fluorite and Super UD-glass elements largely eliminate secondary spectrum. The floating system also ensures high picture quality at all focal lengths. The Image Stabilizer has two modes and it is compatible with Extenders 1.4x II and 2x II.
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The Canon Extender EF 1.4X III is designed for select Canon EF mount L-series telephoto lenses. It increases the focal length of a lens by a factor of 1.4x while still delivering superb image quality. To ensure the best possible image quality in all shooting conditions, it combines redesigned optics, improved data communication between lens and camera and enhanced environmental protection. It is ideal for photojournalists and wildlife, nature and sports photographers who need to get close to distant and challenging subjects and it reduces the need to carry heavy telephoto lenses..
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Sale!
- SENSOR TYPE RED DRAGON 19.4 Megapixel CMOS
- EFFECTIVE PIXELS 6144 x 3160
- SENSOR SIZE 30.7 mm x 15.8 mm (Diagonal: 34.5 mm)
- DYNAMIC RANGE 16.5+ stops
- MAX FRAME RATES 75 fps at 6K Full Format, 100 fps at 6K 2.4:1 96 fps at 5K Full Format, 120 fps at 5K 2.4:1 120 fps at 4K Full Format, 150 fps at 4K 2.4:1 150 fps at 3K Full Format, 200 fps at 3K 2.4:1 240 fps at 2K Full Format, 300 fps at 2K 2.4:1
- OPERATING TEMPERATURE 0°C to 40°C (32°F to 104°F)
- AUDIO 2 channel, uncompressed, 24-bit 48 kHz
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- LENS COMPATIBILITY Sony E-mount lenses
- SENSOR TYPE 35 mm
- SENSOR 35 mm full frame (35.6 x 23.8 mm), Exmor® CMOS sensor
- NUMBER OF PIXELS (EFFECTIVE) 12.2 MP
- ISO SENSITIVITY (RECOMMENDED EXPOSURE INDEX) ISO 100-102400
- BATTERY LIFE (STILL IMAGES) Approx. 310 shots (viewfinder) / Approx. 370 shots (LCD screen) (CIPA standard)
- VIEWFINDER TYPE 0.5-type electronic viewfinder (colour OLED)
- MONITOR TYPE 7.5 cm (3.0 type) TFT drive
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- Lens Mount Sony E
- Camera Format Full-Frame (1x Crop Factor)
- Sensor Resolution Actual: 12.4 Megapixel
- Effective: 12.2 Megapixel
- Maximum Resolution 4240 x 2832
- Aspect Ratio 3:2, 4:3
- Sensor Type CMOS
- Sensor Size 35.8 x 23.9 mm
- Image File Format JPEG, Raw
- Bit Depth 14-Bit
- Image Stabilization None
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- Type Single-lens reflex digital camera
- Lens mount F mount (with AF contacts)
- Effective pixels 36.3 million
- Image sensor 35.9 x 24.0 mm CMOS sensor (Nikon FX format)
- Total pixels 36.8 million
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- Lens Mount Canon EF
- Sensor Type 36 x 24 mm (Full-Frame) CMOS
- Sensor Resolution Actual: 21.5 Megapixel
- Effective: 20.2 Megapixel (5472 x 3648)
- Aspect Ratio 3:2
- Image File Format JPEG, Raw
- Bit Depth 14-Bit
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- Type 22.3mm x 14.9mm CMOS
- Effective Pixels Approx. 18.00 megapixels
- Total Pixels Approx. 19.00 megapixels
- Aspect Ratio 3.2
- Low-Pass Filter Built-in/Fixed
- Sensor Cleaning EOS integrated cleaning system with fluorine coating
- Colour Filter Type Primary Colour
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- IMAGE SENSOR. Type. 22.5mm x 15.0mm CMOS. ...
- IMAGE PROCESSOR. Type. DIGIC 5+
- LENS. Lens Mount. EF/EF-S. ...
- FOCUSING. Type. TTL-CT-SIR with a CMOS sensor. ...
- FOCUS BRACKETING. AF Microadjustment. C.Fn II-13. ...
- EXPOSURE CONTROL. Metering Modes. TTL full aperture metering with 63 zone Dual Layer SPC. ...
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- 20.2MP full frame CMOS sensor.
- DIGIC 5+ image processor.
- ISO 100-25600 standard, 50-102800 expanded.
- 4.5 fps continuous shooting.
- 'Silent' shutter mode.
- 1080p30 video recording, stereo sound via external mic.
- 11 point AF system, center point cross-type and sensitive to -3 EV.
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With the new EOS 60D DSLR, Canon gives the photo enthusiast a powerful tool fostering creativity, with better image quality, more advanced features and automatic and in-camera technologies for ease-of-use. It features an improved APS-C sized 18.0 Megapixel CMOS sensor for tremendous images, a new DIGIC 4 Image Processor for finer detail and excellent color reproduction, and improved ISO capabilities from 100 – 6400 (expandable to 12800) for uncompromised shooting even in the dimmest situations.
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Marking a new standard in high-resolution digital SLR photography, the Canon EOS 5DS camera shatters the status quo with a new 50.6 Megapixel, full-frame CMOS sensor. Perfect for commercial and fine art photography, or any other application that calls for extremely high-resolution, the EOS 5DS is the ultimate combination of EOS performance and ultra-high megapixel capture. It features an advanced, 61-point High-Density Reticular AF system that includes 41 cross-type AF points and EOS iTR AF for precise AF in numerous situations.
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Canon is proud to present the highly anticipated EOS 5D Mark III PL Mount. With supercharged EOS performance and stunning full frame, high-resolution image capture, the EOS 5D Mark III is designed to perform. Special optical technologies like the 61-Point High-Density Reticular AF and an extended ISO range of 100–25600 expandable to 50 (L), 51200 (H1) and 102400 (H2) make the EOS 5D Mark III PL Mount ideal for shooting weddings in the studio or out in the field, and great for still photography.
