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The Boom Stand is a clever lighting support solution that provides you with a strong, 12.5′ stand with a 19.8 lb load capacity when used in the traditional way or a 6.25′ boom that supports 4.4 lb, when fully extended. The legs feature heavy duty bracing and a wide footprint of 43″ for extra stability. The black anodized aluminum Combo Boom Stand ships with a 5/8″ reversible spigot and an empty cordura nylon sandbag counterweight capable of holding 15 lb of ballast.
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Both day and night led tubes are available which consumes the power of less than 200watts , which is less than ordinary 8bank kino flo , its the most exclusive thing in LED Flo 8bank .
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Both day and night led tubes are available which consumes the power of less than 100watts , which is less than ordinary 4bank kino flo , its the most exclusive thing in LED Flo 4bank
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The all-in-one Tegra 4Bank DMX features new levels of control with DMX and onboard dimming, DMX and onboard lamp switching, remote hand-held dimming, and Universal input voltage (100VAC to 240VAC).
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The Elinchrom Snoot attaches to the front of any Elinchrom flash head. It consists of the #26425 Snoot, which narrows the spread of light from the flash head, and the #26426 10° grid, which narrows the spread even more. Use this for extreme light control on small areas of your subject to bring up detail and decrease the highlight-to-shadow ratio.
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Elinchrom Master RX kit This is an Elinchrom Master RX kit. Today’s digital work flow and camera systems demand greater accuracy at all power settings with an extended power range to cover extreme requirements. Precise repeatability, whether at two second or two week intervals is possible with the ultra-stable electronics controlled by accurate digital displays in the Digital Style 600 w/s monolight.
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A versatile two-light kit comprising everything needed for basic lighting setups and wireless control. Beyond the two lights and EL-Skyport Plus wireless transmitter, this kit also includes one rectangular softbox, one octagonal softbox, a translucent deflector, a pair of light stands and light stand case, and a durable storage bag for the lights and light modifiers.
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The D-Lite 200W/s RX 2 offers professional and convenience features usually found in flash heads twice its price. Forget about tripping over PC cords. Although this head accepts one, it also has a built-in EL-Skyport Receiver with eight frequency channels that can handle four distinct groups of flashes. The included transmitter not only allows you to trigger your flash at distances up to 393′ but gives you control of power, on/off, modeling light functions and Speed Sync activation. Free software for Mac and PC computers is available, providing additional features such as Flash-Delay for strobing effects. Add an optional Wi-Fi module to the transmitter and you can use specially designed apps that allow full remote control via your iPhone, iPad or iPod Touch. The auto-sensing, multi-voltage D-Lite RX 2 recognizes any AC power source from 90-260VAC, allowing you to use the kit anywhere in the world.
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TSonia Sungun Light is the most prevalent light source used in video production. This type of bulb burns hot and bright and comes in high wattages. This lamp provides an intense, steady, white light for indoor shooting. The sungun light also has a long burn life, which makes it economical. The disadvantages of the halogen lamp are its intense heat and high power consumption. When using a light with a halogen lamp, you have to build in time for the light to cool down before you put it away. Whatever you do, do not touch the light while it is on. It will be very hot.
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Simpex Portalight USE WITH 1000WATT TUBE and GUN CAN BE TILTED FROM THE POINT OF MOUNTING SLOT whitch also GIVEN FOR UMBRELLA MOUNTING USE AS DIFFUSER
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Di600 is compatible with Canon’s E-TTL, E-TTLII system, Nikon’s i-TTL and Sony ADI/ P-TTL system. Those new digital TTL flash systems control the flash light with greater precision and stability.
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The B+W 77mm MRC 110M Solid Neutral Density 3.0 Filter is an ND filter with a 1,000x filter factor that provides a 10-stop exposure reduction. Its 3.0 density creates a darkening of the entire image, allowing you to photograph with a wider aperture or slower shutter speed than normally required. By slowing your exposure time or increasing your aperture, you are able to control depth of field and convey movement more easily. Neutral density filters do not affect the coloration of the image and are ideal for pairing with other filters.
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The EF 16-35mm f/2.8L II USM is a high performance, water-resistant, and ultra wide-angle Canon L-series lens. It has been specifically designed for improved edge-to-edge image quality that will meet the strict requirements of professional and high-end amateur photographers.
