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The Mini Converter HDMI to SDI 4K from Blackmagic Design allows you to convert HDMI to SD, HD, 3G, or 6G-SDI in resolutions up to Ultra HD 4K (3840 x 2160) and DCI 4K (4096 x 2160). This is useful for connecting consumer devices that output HDMI signals with professional SDI video equipment. With a compact form factor and easy-to-use controls, the Mini Converter is ideal for a variety of broadcast, post production, and professional AV applications.
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The Boom Stand is a clever lighting support solution that provides you with a strong, 12.5′ stand with a 19.8 lb load capacity when used in the traditional way or a 6.25′ boom that supports 4.4 lb, when fully extended. The legs feature heavy duty bracing and a wide footprint of 43″ for extra stability. The black anodized aluminum Combo Boom Stand ships with a 5/8″ reversible spigot and an empty cordura nylon sandbag counterweight capable of holding 15 lb of ballast.
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This c-stand-boom is comprised of a C-stand, 2.5″ grip head and 40″ extension arm. The stand features a patented locking mechanism that allows the legs to swing out and lock into place for easy setup and collapse flat for storage. The included extension grip arm fits neatly into the stand’s removable 2.5″ grip head, allowing you to offset the stand and cantilever flags, gobos or lights out of the way of the action. The stand has a low center of gravity which allows mounting of heavy equipment without tipping. The legs are perfectly shaped for saddlebag-type sandbags. The kit is also often used as a short boom.
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canara BD-10 is ideal luminaire for lighting in indoor and outdoor it delivers smooth uniform across the entire spread from spot to flood focusing , light weight , rugged , and reliable both indoor and outdoor . can be used as a key light , back light , fill light where light control is immense importance .
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Used in small tv studios , video filming , tv commercials and outdoor location , alumina gravity die cast housing , cylindrical construction . the spot and flood achieved by moving the lamp in relation to the stationary reflectors .
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Used in small tv studios , video filming , tv commercials and outdoor location , alumina gravity die cast housing , cylindrical construction . the spot and flood achieved by moving the lamp in relation to the stationary reflectors .
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The Speedlite 600EX II-RT delivers impressive power, responsive performance and advanced, wireless communication for those who demand the very best in flash photography. Featuring improved continuous performance up to 2.0x* faster than its predecessor, the Speedlite 600EX II-RT performs at a phenomenal speed, and reliably at that – new Quick Flash settings and a flash-readiness indicator help ensure priority shutter operation, even when the flash isn’t fully recharged. It’s also built for fast, convenient use virtually anywhere for any situation, with improved combination button and dial controls, a refined dust- and water-resistant body and new accessories tailor-made for enhanced lighting effects. For speedy and comprehensive flash photography on the go, the Speedlite 600EX II-RT delivers portable, professional performance with ease.
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The Canon Extender EF 1.4X III is designed for select Canon EF mount L-series telephoto lenses. It increases the focal length of a lens by a factor of 1.4x while still delivering superb image quality. To ensure the best possible image quality in all shooting conditions, it combines redesigned optics, improved data communication between lens and camera and enhanced environmental protection. It is ideal for photojournalists and wildlife, nature and sports photographers who need to get close to distant and challenging subjects and it reduces the need to carry heavy telephoto lenses..
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L-series super-telephoto zoom lens equipped with an Image Stabilizer. The fluorite and Super UD-glass elements largely eliminate secondary spectrum. The floating system also ensures high picture quality at all focal lengths. The Image Stabilizer has two modes and it is compatible with Extenders 1.4x II and 2x II.
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Canon EF 100mm is an Autofocus lens for macro photography up to life-size (1x) magnification. Inner focusing affords a long working distance of 5.9in. (149mm) at 1x. A 3-group floating system results in excellent delineation at all focusing distances. Ring USM for silent and high-speed AF, and full-time manual focusing also provided.
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- Lens type : Prime lens
- Focal length : 135 mm
- Image stab. : No
- Lens mount : Canon EF
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Canon EF 14mm f/2.8L USM
- Lens type : Prime lens
- Focal length : 14 mm
- Image stab : No
- Lens mount : Canon EF
- Max aperture : F2.8
- Min aperture : F22
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Canon EF 15mm f-2.8 Fisheye lens with a 180º angle of view for unique and intriguing effects. The wide depth of field makes it even more interesting. The short minimum focusing distance of 8 in. (20 cm) gives new meaning to close-up shots. The lens has a fixed petal-type hood and a gelatin filter holder at the rear.
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The EF 16-35mm f/2.8L II USM is a high performance, water-resistant, and ultra wide-angle Canon L-series lens. It has been specifically designed for improved edge-to-edge image quality that will meet the strict requirements of professional and high-end amateur photographers.
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A new and affordable L-series ultra-wide-angle zoom lens that’s ideal for both film and digital SLRs. Superior optics are assured by the use of three Aspherical lens elements, in addition to a Super UD (Ultra-low Dispersion) glass element. Optical coatings are optimized for use with digital cameras.
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Canon EF 24-105mm f/4L IS USM Lens
- Angle of View : Diagonal 84° - 23° 20'
- FOCAL LENGTH : 24 – 105MM
- Aperture Range : Wide / Long f/4.0-22
- Number of Aperture Blades : 8
- Filter Size : 77mm
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Meeting the ever-increasing demands on image quality that digital photography brings, the redesigned EF 24-70mm f/2.8L II USM is the latest update to the acclaimed L-Series of EF optics, re-establishing a new standard for superb optics, high-end durable construction, and performance in professional zoom lenses.
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Canon’s newest fixed length L-series lens, the EF 24mm f/1.4L II USM, incorporates the newest in Canon lens technology for spectacular sharpness and impressive performance at all settings. It features two high-precision, large-diameter aspherical lenses for sharpness across the sensor, even in peripheral areas of full-frame sensors.
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L-series professional f/1.4 wide-angle lens with an Aspherical lens element to correct aberrations. The floating system enables high picture quality to be obtained over the entire focusing range. Autofocusing is quick and quiet with rear focusing and ring USM. Full-time manual focusing is also possible.
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The EF 50mm f/1.2L USM is a peerless new standard lens featuring an ultra-large aperture for a narrow depth of field and soft background blur so loved by photographers everywhere. The EF 50mm f/1.2L USM is suitable for any shooting situation.
