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Manfrotto MT055XPRO Tripod Holding up to 17.6 lb, and with a maximum height of 72″, the tripod features a Quick Power Lock System that allows you to completely extend the legs with just one hand. Once set up you can use the MT055XPRO3’s rapid center column in standard vertical mode or swing it into horizontal position like a boom with Manfrotto’s 90° column feature. Enlarged tabs on the individual leg angle selectors allow you to get down low for macro work with the column in horizontal mode. And once you’re down there you can attach any of Manfrotto’s flexible or articulated arms to hold lights or reflectors via the Easy Link plug built into the tripod’s spider.
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The Manfrotto 701HDV Fluid Head from Manfrotto includes a flat base fluid video head, a flat base 2-stage tripod, and a a black and red over-the-shoulder carrying bag. The bag is padded, has a zipper running along its full length, and fits the tripod and head.
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Manfrotto 681 B Monopad The Manfrotto 681B Professional 3-Section Aluminum Monopod is a 3-section support featuring flip-lock levers, padded grip and wrist strap and a large 2.36″ head platform. The robust monopod rises to a maximum height of 63.4″ folds down to 25.6″ and can support up to 26.5 lb.
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The Manfrotto 562 B-1 MOnopod is a telescoping support for video cameras that features an enhanced fluid element at its base for smoother panning.The monopod is designed for use with camcorders weighing up to 17.6 lb. The included 357PLV quick-release plate slides to adjust the camera’s center of balance and features both 1/4″-20 and 3/8″-16 mounting studs plus a standard video pin. The 5626B-1 folds down to a 27.17″ for transport.
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Manfrotto 561 BHDV Monopod This 4-section aluminum Manfrotto 561 BHDV Monopod rises to a height of 78.9″, folds down 30.3″ and includes a compact, lightweight fluid head for smooth panning and tilting. The quick release head has a long sliding plate with both 1/4″-20 and 3/8″-16 camera screws. Three mini, retractable feet at the base offer additional stability. This monopod and head combination is an ideal match for cameras weighing up to 11 lb. The included head does not have a fluid pan movement and is not removable. The fluid pan movement is in the base of the monopod.
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The Manfrotto 498 RC 4 Ball Head is a heavy-duty magnesium alloy ball head that weighs 1.4 lb yet is capable of supporting 22 lb. Designed to meet the demands of professional photographers who want maximum control with minimal effort, the 468MGRC2 uses a hydraulic system that requires very little force for an exceptional strong lock-down. The head features tension adjustment and 360 degree panning with a separate lock and a lateral tilt range of -90° / +90°.
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The smart head can be mounted vertically or underslung on a tripod , slide or rib and its designed to fit most professional handheld camcorder and DSLR Cameras . the smart head works in conjuction with konova slider to allow for 360 degree movement .
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The Eimage new series monopod is pretty portable solution for smooth shooting with DSLR,Mini-DV and HDV cameras in limited spaces.It is mostly can be used on move shooting and other events,which is smoother and easier to use than hand-held. This creative designed monopod invorporates a fluid cartridge in the base for smooth pans,and has three retractable feet for a form footing on uneven ground.Photographers can just stand as using a tripod,and just move as it is a monopod
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Supports cameras and accessories weighing up to 11 pounds. The GH03 head features an Easy Lock Baseplate system that combines the balance adjustment of a sliding baseplate with the ease of a quick release system. It provides a fixed counterbalance settings that helps the fluid head support loads up to 11 pounds and won’t force you to fight the head when working with lightweight camera systems.
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The 322RC2 is unique in that it allows the camera mounting assembly to be positioned for left or right hand operation, in horizontal or vertical position, and in addition, will allow you to unblock, move, position and lock your camera with one hand in one position. This is due to the revolutionary design of its grip handle which incorporates the ball lock lever. The very act of taking your hand away from the grip locks the head into position, which eliminates the extra step of having to tighten a knob or lever before being ready to shoot. The tension of the ball can be adjusted to accommodate the load weight
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Wildclickz Light Stand is designed for fast height adjustment, and it’s very convenient to extend and fold. It offers solid support in the studio and easy transportation to locations shoots.It’s perfect for studio lights, flash, umbrellas, reflector and background support.
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Wildclickz Background Stand will support seamless paper up to 11′ in width, as well as accommodate the 12′ width of any brand of muslin background. Total weight distributed across the length of the crossbar should not exceed 20 lb.
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Triple Riser C Stand is designed to support baby fixtures which require a 5/8″ mounting pin. This stand has steel legs and riser. The tripod brace base, with all axis locking casters provides great stability.
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The Impact Telescopic Collapsible Reflector Holder is ideal for mounting reflectors such as Impact, Flexfill, or Photoflex light discs up to 60″ to a light stand.
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Sonia Light Stand The Sonia Light Stand extends from 3′ to 7.2′ and has a load capacity of 13 lb. It folds down to 36″ for transport, and weighs 4 lb. There is a 5/8″ stud on top of the stand. The stand is composed of lightweight aluminum and is anodized to cut down on reflections. It is air-cushioned to keep lighting fixtures damage-free when lowering. Large knobs are easy to grip and allow for quick, smooth adjustments.
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The simpex mini light stand is designed convenient to extend and fold. It offers solid support in the studio and easy transportation
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Simpex Light Stand Big Heavy Duty used to mount big LED lights, Baby lights, Boom arms. A very secure and stable stand for mounting big lights.
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By combining aluminum legs and risers with a steel top riser, lightweight and tall Combo stand, as the steel top riser adds strength and security. comes with Triple Riser Rocky Mountain Leveling Leg
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It consists of a Double Riser Sliding Leg C Stand with a Grip Head and 40″ Arm. The stand rises to a maximum height of 10.5′ (3.2 m).The unique staggered leg design of a C Stand allows it to be nested and placed extremely close to one another on a set. The top leg of the stand is independently adjustable.
- Sliding independent top leg adjustment for leveling on uneven terrain
- Griphead and arm allow mounting and placement of gobos, small reflectors and small light fixtures
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This c-stand-boom is comprised of a C-stand, 2.5″ grip head and 40″ extension arm. The stand features a patented locking mechanism that allows the legs to swing out and lock into place for easy setup and collapse flat for storage. The included extension grip arm fits neatly into the stand’s removable 2.5″ grip head, allowing you to offset the stand and cantilever flags, gobos or lights out of the way of the action. The stand has a low center of gravity which allows mounting of heavy equipment without tipping. The legs are perfectly shaped for saddlebag-type sandbags. The kit is also often used as a short boom.
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The Boom Stand is a clever lighting support solution that provides you with a strong, 12.5′ stand with a 19.8 lb load capacity when used in the traditional way or a 6.25′ boom that supports 4.4 lb, when fully extended. The legs feature heavy duty bracing and a wide footprint of 43″ for extra stability. The black anodized aluminum Combo Boom Stand ships with a 5/8″ reversible spigot and an empty cordura nylon sandbag counterweight capable of holding 15 lb of ballast.
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Both day and night led tubes are available which consumes the power of less than 200watts , which is less than ordinary 8bank kino flo , its the most exclusive thing in LED Flo 8bank .
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Both day and night led tubes are available which consumes the power of less than 100watts , which is less than ordinary 4bank kino flo , its the most exclusive thing in LED Flo 4bank
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The all-in-one Tegra 4Bank DMX features new levels of control with DMX and onboard dimming, DMX and onboard lamp switching, remote hand-held dimming, and Universal input voltage (100VAC to 240VAC).
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The Elinchrom Snoot attaches to the front of any Elinchrom flash head. It consists of the #26425 Snoot, which narrows the spread of light from the flash head, and the #26426 10° grid, which narrows the spread even more. Use this for extreme light control on small areas of your subject to bring up detail and decrease the highlight-to-shadow ratio.
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Elinchrom Master RX kit This is an Elinchrom Master RX kit. Today’s digital work flow and camera systems demand greater accuracy at all power settings with an extended power range to cover extreme requirements. Precise repeatability, whether at two second or two week intervals is possible with the ultra-stable electronics controlled by accurate digital displays in the Digital Style 600 w/s monolight.
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A versatile two-light kit comprising everything needed for basic lighting setups and wireless control. Beyond the two lights and EL-Skyport Plus wireless transmitter, this kit also includes one rectangular softbox, one octagonal softbox, a translucent deflector, a pair of light stands and light stand case, and a durable storage bag for the lights and light modifiers.
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The D-Lite 200W/s RX 2 offers professional and convenience features usually found in flash heads twice its price. Forget about tripping over PC cords. Although this head accepts one, it also has a built-in EL-Skyport Receiver with eight frequency channels that can handle four distinct groups of flashes. The included transmitter not only allows you to trigger your flash at distances up to 393′ but gives you control of power, on/off, modeling light functions and Speed Sync activation. Free software for Mac and PC computers is available, providing additional features such as Flash-Delay for strobing effects. Add an optional Wi-Fi module to the transmitter and you can use specially designed apps that allow full remote control via your iPhone, iPad or iPod Touch. The auto-sensing, multi-voltage D-Lite RX 2 recognizes any AC power source from 90-260VAC, allowing you to use the kit anywhere in the world.
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TSonia Sungun Light is the most prevalent light source used in video production. This type of bulb burns hot and bright and comes in high wattages. This lamp provides an intense, steady, white light for indoor shooting. The sungun light also has a long burn life, which makes it economical. The disadvantages of the halogen lamp are its intense heat and high power consumption. When using a light with a halogen lamp, you have to build in time for the light to cool down before you put it away. Whatever you do, do not touch the light while it is on. It will be very hot.
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Simpex Portalight USE WITH 1000WATT TUBE and GUN CAN BE TILTED FROM THE POINT OF MOUNTING SLOT whitch also GIVEN FOR UMBRELLA MOUNTING USE AS DIFFUSER
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Di600 is compatible with Canon’s E-TTL, E-TTLII system, Nikon’s i-TTL and Sony ADI/ P-TTL system. Those new digital TTL flash systems control the flash light with greater precision and stability.
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The B+W 77mm MRC 110M Solid Neutral Density 3.0 Filter is an ND filter with a 1,000x filter factor that provides a 10-stop exposure reduction. Its 3.0 density creates a darkening of the entire image, allowing you to photograph with a wider aperture or slower shutter speed than normally required. By slowing your exposure time or increasing your aperture, you are able to control depth of field and convey movement more easily. Neutral density filters do not affect the coloration of the image and are ideal for pairing with other filters.
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The EF 16-35mm f/2.8L II USM is a high performance, water-resistant, and ultra wide-angle Canon L-series lens. It has been specifically designed for improved edge-to-edge image quality that will meet the strict requirements of professional and high-end amateur photographers.
