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The EF 16-35mm f/2.8L II USM is a high performance, water-resistant, and ultra wide-angle Canon L-series lens. It has been specifically designed for improved edge-to-edge image quality that will meet the strict requirements of professional and high-end amateur photographers.
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The B+W 77mm MRC 110M Solid Neutral Density 3.0 Filter is an ND filter with a 1,000x filter factor that provides a 10-stop exposure reduction. Its 3.0 density creates a darkening of the entire image, allowing you to photograph with a wider aperture or slower shutter speed than normally required. By slowing your exposure time or increasing your aperture, you are able to control depth of field and convey movement more easily. Neutral density filters do not affect the coloration of the image and are ideal for pairing with other filters.
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Di600 is compatible with Canon’s E-TTL, E-TTLII system, Nikon’s i-TTL and Sony ADI/ P-TTL system. Those new digital TTL flash systems control the flash light with greater precision and stability.
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Simpex Portalight USE WITH 1000WATT TUBE and GUN CAN BE TILTED FROM THE POINT OF MOUNTING SLOT whitch also GIVEN FOR UMBRELLA MOUNTING USE AS DIFFUSER
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TSonia Sungun Light is the most prevalent light source used in video production. This type of bulb burns hot and bright and comes in high wattages. This lamp provides an intense, steady, white light for indoor shooting. The sungun light also has a long burn life, which makes it economical. The disadvantages of the halogen lamp are its intense heat and high power consumption. When using a light with a halogen lamp, you have to build in time for the light to cool down before you put it away. Whatever you do, do not touch the light while it is on. It will be very hot.
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The D-Lite 200W/s RX 2 offers professional and convenience features usually found in flash heads twice its price. Forget about tripping over PC cords. Although this head accepts one, it also has a built-in EL-Skyport Receiver with eight frequency channels that can handle four distinct groups of flashes. The included transmitter not only allows you to trigger your flash at distances up to 393′ but gives you control of power, on/off, modeling light functions and Speed Sync activation. Free software for Mac and PC computers is available, providing additional features such as Flash-Delay for strobing effects. Add an optional Wi-Fi module to the transmitter and you can use specially designed apps that allow full remote control via your iPhone, iPad or iPod Touch. The auto-sensing, multi-voltage D-Lite RX 2 recognizes any AC power source from 90-260VAC, allowing you to use the kit anywhere in the world.
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A versatile two-light kit comprising everything needed for basic lighting setups and wireless control. Beyond the two lights and EL-Skyport Plus wireless transmitter, this kit also includes one rectangular softbox, one octagonal softbox, a translucent deflector, a pair of light stands and light stand case, and a durable storage bag for the lights and light modifiers.
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Elinchrom Master RX kit This is an Elinchrom Master RX kit. Today’s digital work flow and camera systems demand greater accuracy at all power settings with an extended power range to cover extreme requirements. Precise repeatability, whether at two second or two week intervals is possible with the ultra-stable electronics controlled by accurate digital displays in the Digital Style 600 w/s monolight.
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The Elinchrom Snoot attaches to the front of any Elinchrom flash head. It consists of the #26425 Snoot, which narrows the spread of light from the flash head, and the #26426 10° grid, which narrows the spread even more. Use this for extreme light control on small areas of your subject to bring up detail and decrease the highlight-to-shadow ratio.
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The all-in-one Tegra 4Bank DMX features new levels of control with DMX and onboard dimming, DMX and onboard lamp switching, remote hand-held dimming, and Universal input voltage (100VAC to 240VAC).
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Both day and night led tubes are available which consumes the power of less than 100watts , which is less than ordinary 4bank kino flo , its the most exclusive thing in LED Flo 4bank
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Both day and night led tubes are available which consumes the power of less than 200watts , which is less than ordinary 8bank kino flo , its the most exclusive thing in LED Flo 8bank .
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The Boom Stand is a clever lighting support solution that provides you with a strong, 12.5′ stand with a 19.8 lb load capacity when used in the traditional way or a 6.25′ boom that supports 4.4 lb, when fully extended. The legs feature heavy duty bracing and a wide footprint of 43″ for extra stability. The black anodized aluminum Combo Boom Stand ships with a 5/8″ reversible spigot and an empty cordura nylon sandbag counterweight capable of holding 15 lb of ballast.
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This c-stand-boom is comprised of a C-stand, 2.5″ grip head and 40″ extension arm. The stand features a patented locking mechanism that allows the legs to swing out and lock into place for easy setup and collapse flat for storage. The included extension grip arm fits neatly into the stand’s removable 2.5″ grip head, allowing you to offset the stand and cantilever flags, gobos or lights out of the way of the action. The stand has a low center of gravity which allows mounting of heavy equipment without tipping. The legs are perfectly shaped for saddlebag-type sandbags. The kit is also often used as a short boom.
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It consists of a Double Riser Sliding Leg C Stand with a Grip Head and 40″ Arm. The stand rises to a maximum height of 10.5′ (3.2 m).The unique staggered leg design of a C Stand allows it to be nested and placed extremely close to one another on a set. The top leg of the stand is independently adjustable.
- Sliding independent top leg adjustment for leveling on uneven terrain
- Griphead and arm allow mounting and placement of gobos, small reflectors and small light fixtures
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By combining aluminum legs and risers with a steel top riser, lightweight and tall Combo stand, as the steel top riser adds strength and security. comes with Triple Riser Rocky Mountain Leveling Leg
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Simpex Light Stand Big Heavy Duty used to mount big LED lights, Baby lights, Boom arms. A very secure and stable stand for mounting big lights.
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The simpex mini light stand is designed convenient to extend and fold. It offers solid support in the studio and easy transportation
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Sonia Light Stand The Sonia Light Stand extends from 3′ to 7.2′ and has a load capacity of 13 lb. It folds down to 36″ for transport, and weighs 4 lb. There is a 5/8″ stud on top of the stand. The stand is composed of lightweight aluminum and is anodized to cut down on reflections. It is air-cushioned to keep lighting fixtures damage-free when lowering. Large knobs are easy to grip and allow for quick, smooth adjustments.
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The Impact Telescopic Collapsible Reflector Holder is ideal for mounting reflectors such as Impact, Flexfill, or Photoflex light discs up to 60″ to a light stand.
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Triple Riser C Stand is designed to support baby fixtures which require a 5/8″ mounting pin. This stand has steel legs and riser. The tripod brace base, with all axis locking casters provides great stability.
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Wildclickz Background Stand will support seamless paper up to 11′ in width, as well as accommodate the 12′ width of any brand of muslin background. Total weight distributed across the length of the crossbar should not exceed 20 lb.
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Wildclickz Light Stand is designed for fast height adjustment, and it’s very convenient to extend and fold. It offers solid support in the studio and easy transportation to locations shoots.It’s perfect for studio lights, flash, umbrellas, reflector and background support.
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The 322RC2 is unique in that it allows the camera mounting assembly to be positioned for left or right hand operation, in horizontal or vertical position, and in addition, will allow you to unblock, move, position and lock your camera with one hand in one position. This is due to the revolutionary design of its grip handle which incorporates the ball lock lever. The very act of taking your hand away from the grip locks the head into position, which eliminates the extra step of having to tighten a knob or lever before being ready to shoot. The tension of the ball can be adjusted to accommodate the load weight
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Supports cameras and accessories weighing up to 11 pounds. The GH03 head features an Easy Lock Baseplate system that combines the balance adjustment of a sliding baseplate with the ease of a quick release system. It provides a fixed counterbalance settings that helps the fluid head support loads up to 11 pounds and won’t force you to fight the head when working with lightweight camera systems.
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The Eimage new series monopod is pretty portable solution for smooth shooting with DSLR,Mini-DV and HDV cameras in limited spaces.It is mostly can be used on move shooting and other events,which is smoother and easier to use than hand-held. This creative designed monopod invorporates a fluid cartridge in the base for smooth pans,and has three retractable feet for a form footing on uneven ground.Photographers can just stand as using a tripod,and just move as it is a monopod
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The smart head can be mounted vertically or underslung on a tripod , slide or rib and its designed to fit most professional handheld camcorder and DSLR Cameras . the smart head works in conjuction with konova slider to allow for 360 degree movement .
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The Manfrotto 498 RC 4 Ball Head is a heavy-duty magnesium alloy ball head that weighs 1.4 lb yet is capable of supporting 22 lb. Designed to meet the demands of professional photographers who want maximum control with minimal effort, the 468MGRC2 uses a hydraulic system that requires very little force for an exceptional strong lock-down. The head features tension adjustment and 360 degree panning with a separate lock and a lateral tilt range of -90° / +90°.
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Manfrotto 561 BHDV Monopod This 4-section aluminum Manfrotto 561 BHDV Monopod rises to a height of 78.9″, folds down 30.3″ and includes a compact, lightweight fluid head for smooth panning and tilting. The quick release head has a long sliding plate with both 1/4″-20 and 3/8″-16 camera screws. Three mini, retractable feet at the base offer additional stability. This monopod and head combination is an ideal match for cameras weighing up to 11 lb. The included head does not have a fluid pan movement and is not removable. The fluid pan movement is in the base of the monopod.
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The Manfrotto 562 B-1 MOnopod is a telescoping support for video cameras that features an enhanced fluid element at its base for smoother panning.The monopod is designed for use with camcorders weighing up to 17.6 lb. The included 357PLV quick-release plate slides to adjust the camera’s center of balance and features both 1/4″-20 and 3/8″-16 mounting studs plus a standard video pin. The 5626B-1 folds down to a 27.17″ for transport.
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Manfrotto 681 B Monopad The Manfrotto 681B Professional 3-Section Aluminum Monopod is a 3-section support featuring flip-lock levers, padded grip and wrist strap and a large 2.36″ head platform. The robust monopod rises to a maximum height of 63.4″ folds down to 25.6″ and can support up to 26.5 lb.
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The Manfrotto 701HDV Fluid Head from Manfrotto includes a flat base fluid video head, a flat base 2-stage tripod, and a a black and red over-the-shoulder carrying bag. The bag is padded, has a zipper running along its full length, and fits the tripod and head.
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Manfrotto MT055XPRO Tripod Holding up to 17.6 lb, and with a maximum height of 72″, the tripod features a Quick Power Lock System that allows you to completely extend the legs with just one hand. Once set up you can use the MT055XPRO3’s rapid center column in standard vertical mode or swing it into horizontal position like a boom with Manfrotto’s 90° column feature. Enlarged tabs on the individual leg angle selectors allow you to get down low for macro work with the column in horizontal mode. And once you’re down there you can attach any of Manfrotto’s flexible or articulated arms to hold lights or reflectors via the Easy Link plug built into the tripod’s spider.
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The Manfrotto MVH500AH Fluid Head from Manfrotto is designed with a wide platform, optimal for HDSLR camera bodies. Smooth and precise, it has a maximum weight load of 11 lb and professional quality fluid cartridges on both its pan and tilt axes. It has a pre-set spring-loaded counterbalance of 5.3 lb, its lateral tilt range is -70°/+90° and it provides 360° panning rotation.
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The Star Cine Tripod 130mm Fluid head is for use with single-lens reflex cameras with HD video function. You can use the fluid head for payloads from 2 – 11 lb (1 – 5 kg). Professional performance is provided via a 10-step counterbalance and 3 vertical and horizontal grades of drag (+0). You can attach the camera to the Cine DSLR Fluid Head via the special DSLR camera plate that incorporates an anti-twist retainer for HD DSLR cameras
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The Studio Assist 100mm Fluid Head is for use with single-lens reflex cameras with HD video function. You can use the fluid head for payloads from 2 – 11 lb (1 – 5 kg). Professional performance is provided via a 10-step counterbalance and 3 vertical and horizontal grades of drag (+0). You can attach the camera to the Cine DSLR Fluid Head via the special DSLR camera plate that incorporates an anti-twist retainer for HD DSLR cameras
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This is a tripod that is a combination quality, strength, rigidity, and light weight. It is the ideal support for broadcast, cable, corporate and educational TV studios.
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Studio Assist-150mm Baby Tripod Offers a 150mm-bowl fixing, attached to an innovative hip joint that eliminates play and gives more rigidity to provide an exceptionally stable camera platform
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Studio Assist-150mm Tripod supports cameras and accessories weighing up to 11 pounds. The head and legs feature a 100mm ball/bowl, which provides a wide platform for stable shots. The legs are made from aluminum and feature three leg sections.
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- Fluid-360 Panning
- Swift-Quick Connect System
- Steady-Sure Grip Rubber Feet
- Extendable-Telescoping Legs
- Lightweight-Aluminum Alloy
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Yunteng-VCT-680RM Get steadier, professional-looking footage with this lightweight tripod It comes with a three-way pan tilt head .
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Open up Apple ProRes and Avid DNxHD post production quality to thousands of devices (cameras, projectors, tablets, phones, game consoles, medical and industrial equipment). Take your consumer camera to a truly Pro recording device. Avoid the internal MPEG compression & go from sub 30Mbps MPEG to 220Mbps ready to edit 10-bit 422 Apple ProRes HQ. Record to standard 2.5” HDDs and SSDs. A 1TB HDD gives you 10+ hours of Apple ProRes HQ. Buy your choice of media that is affordable, reliable and readily available.
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Atomos Ninja 2 Video Recorder is an HDMI recorder built into an 800 x 480 resolution monitor that records up to 1080/30p/60i resolution directly from your camera’s sensor. It records to an optional HDD or SSD in using Apple’s ProRes or Avid’s DNxHD edit-ready codecs. The Ninja 2 supports 10-bit 4:2:2 color sampling for vivid images superior to most DSLR internal recording capabilities, and you can still record 8-bit video to the Ninja 2. Built-in exposure tools such as false color and zebra bars provide useful aids in exposing your footage, while the built-in focus peaking tool can alert you to out of focus shots may be difficult to see on an on-camera monitor.
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Record direct from the camera sensor to your choice of Apple ProRes, DNxHD/DNxHR or RAW* in 10-bit 422 quality onto affordable media options. Based on the camera’s output the Shogun can accept and record up to 4K 30p and HD 120p over HDMI or 12/6/3/1.5G SDI.
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The Atomos Shogun Studio 4K Monitor / Recorder combines two color-calibrated 1920 x 1200 resolution displays with 4K video recording and edit-ready codecs in a 3RU chassis with removable rack mount ears. This configuration is well suited for live event, studio, and on-set DIT work. The Shogun Studio utilizes 4K HDMI and 12G-SDI inputs to record clean output signals at resolutions up to UHD 4K (3840 x 2160) at 23.98, 24, 25, 29.97, and 30p, as well as Full HD (1920 x 1080) video up to 120 fps when used with capable cameras. The Shogun records 10-bit, 4:2:2 UHD 4K and HD video to Apple ProRes HQ, 422, or LT formats. It can also record HD video using Avid’s DNxHD format and UHD 4K video using Avid’s DNxHR. Video is recorded to single or raided 2.5″ HDD and SDDs for fast and reliable write speeds.
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Fitting in a 6RU design that’s only an inch thick, the Blackmagic Design 17″ SmartView HD Studio Monitor can be easily integrated into a studio or post-production setup. Through the rear inputs, SD, HD, and 3G-SDI signals can be displayed, with 1080p signals shown at a pixel-to-pixel ratio for critical sharpness evaluation. Resolution is auto-detected, so there is no need for regular menu-diving to correct the picture. Adjustments can be conveniently made by including the SmartView HD into your network for full software control.
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The LILLIPUT 669GL-70NP/C 7″ Non-Touch Monitor from Lilliput is an on-camera monitor offering 800 x 420 native resolution with 450 cd/m² brightness and a 500:1 contrast ratio. It features DMI, DVI, VGA, and composite video inputs. The monitor provides a 1/4″ BSW mounting thread and vertical slot mounting. Furthermore, it is powered by 12V, making it adaptable to run on batteries (adapter included). The front panel buttons can be used to control the functions of the monitor.
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Lilliput 7 HDMI LCD Monitor is an on-camera monitor offering 1280 x 800 resolution with 400 nit brightness and an 800:1 contrast ratio. The monitor allows you to analyze focus, exposure, and other characteristics with False Color, Pixel-to-Pixel, and Histogram. It supports both NTSC and PAL compatible signals with HDMI, Component, and Composite inputs. This monitor also features an HDMI output, allowing you to feed the monitor and send the video signal along an HDMI infrastructure. It also features both a built-in speaker and headphone jack.
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Lilliput 7 SDI LCD Monotor is an on-camera monitor offering 1280 x 800 resolution with 400 nit brightness and an 800:1 contrast ratio. The monitor allows you to analyze focus, exposure, and other characteristics with False Color, Pixel-to-Pixel, and Histogram. It supports both NTSC and PAL compatible signals with HDMI, 3G-SDI, Component, and Composite inputs. This monitor also features an HDMI output, allowing you to feed the monitor and send the video signal along an HDMI infrastructure. It also features both a built-in speaker and headphone jack.
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The Marshall V-LCD 70HB HDMIPT Monitor is a top-quality camera monitor with superior internal components and an advanced set of focus, exposure, and sound-assist tools. The display is a high-resolution, high-contrast, high-brightness display and is polycarbonate-coated for scratch resistant protection. It’s LED backlit for additional brightness and it is equipped with IPS technology allowing an enhanced viewing angle from farther and farther away. The operating system is icon-driven.
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Stunning OLED for your DSLR or Cinema Camera without all the bulk
The AC7-OLED can give your client, director, or producer some piece of mind while providing the camera operator some breathing room. This 7-inch OLED display works great as a client monitor because it’s lightweight, durable, and provides a beautiful image out of the box.
Whether it’s on a set of handles or mounted on-camera, the form factor of the AC7-OLED makes adding it to a rig easy. It’s slim design and flexible power allows it to fit the work flow of nearly any production.
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The Mini Converter HDMI to SDI 4K from Blackmagic Design allows you to convert HDMI to SD, HD, 3G, or 6G-SDI in resolutions up to Ultra HD 4K (3840 x 2160) and DCI 4K (4096 x 2160). This is useful for connecting consumer devices that output HDMI signals with professional SDI video equipment. With a compact form factor and easy-to-use controls, the Mini Converter is ideal for a variety of broadcast, post production, and professional AV applications.
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DJI INSPIRE 1 IS ADVANCED, READY-TO-FLY DESIGN
Imagine holding the future in your hands. Designed to be powerful while lightweight, flexible while providing the stability you need, the Inspire 1 is DJI’s most advanced complete package. All of the latest aerial technology is packed into one simple, ready-to-fly system, putting you in the sky within minutes. -
- Fully stabilized 4K, 12MP camera optimized for ground use
- Slow motion and audio recording
- Tripod-free long exposures
- Remote camera control
- Secure grip
- 6-hour standby time
- 1 hour of video shooting
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The Phantom 2 Quadcopter is a bundle from DJI allowing you to capture stabilized aerial video and photos with a GoPro HERO4 action camera (GoPro available separately). This version of the Phantom 2 – v2.0 – features more efficient motors, ESCs, and props than the predecessor for extended flying time. Additionally, a redesigned transmitter (handheld radio controller) now features an integrated gimbal control dial and a rechargeable battery.
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DJI Ronin M Developed for the filmmaking professional, the DJI Ronin marks a generational leap in camera stabilization technology. Its custom sensors, powerful motors and advanced algorithms put world-class precision in your hands.
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FREEDOM TO MOVE
A slip ring allows the Ronin-MX to rotate 360° continuously when mounted to aircraft or vehicles, opening up more creative options. This is further enhanced by an increase in tilt axis range from 90° straight down and beyond to 135°. Popular features of the Ronin series such as the three modes of operation and SmoothTrack™ are also present, giving film makers a range of creative angles and movements.
3 OPERATION MODES
3 different modes of operation allow the Ronin to be used in different scenarios, all of which can be entered without changing settings on the Ronin Assistant app or a 2nd operator remote. SmoothTrack functionality remains in all three modes.
1 UPRIGHT MODEFlip the gimbal over to bring the camera closer to eye level for a higher perspective without straining to lift it. Use this mode when sticking the Ronin out of a car’s sunroof or when trying to shoot over a crowd of people.
2 UNDERSLUNG MODEThe default gimbal operation is the Underslung mode. The camera can be comfortably held low to the ground, at chest level or anywhere in between. This mode is also used when the Ronin is suspended from a camera jib or crane.
3 BRIEFCASE MODEWhen a slimmer gimbal profile is needed, i.e. when moving through doorways or narrow paths, Briefcase mode is ideal. It allows the gimbal to be held to the side and close to the legs, much like a briefcase.
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The Genie is a simple, portable solution for motion control Time-lapse + Real-time video. Designed to be part of your regular camera kit, with no external wires, batteries or controllers there’s no need to ever go without the option of motion control again.
SIMPLE. PORTABLE. GENIE.
The key to the Genie lies in its compact size, easy-to-use menu and extreme versatility. Rather than limiting yourself to a fixed length rail system or slider, simply attach the Genie to your existing professional gear or DIY equipment for smooth Motion Control Time-lapse + Real-time video control. For all you need to know about the Genie, watch the overview above! -
The 5-in-1 Collapsible Reflector Disc is versatile in the field and in the studio, providing shadow-lightening detail in your subject using available, or studio lighting. It starts out as a translucent white disc — perfect for softening direct sun, or lights without diffusion. Use the removable, reversible zippered slipcover to reflect light into shadow areas of your subject. Your choice of color — silver, gold, white, silver/gold mix — will be determined by the lighting conditions, and your personal preference.
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The AF-S DX NIKKOR 18-55mm f/3.5-5.6G from Nikon is a general-purpose DX format zoom lens featuring a retractable barrel for a compact, lightweight design. The lens has a zoom range of 18-55mm, equivalent to 27-82.5mm in the 35mm format, which makes it useful in a wide variety of shooting conditions. The retractable design makes it easier to store and carry than standard lenses.
